I like to think of my style as pretty versatile. And I'd like whatever I record to reflect that to be mostly genre - to be just something that people want to listen on to see what I'm going to come up with next. That's the kind of music I'm into.
I would like to see more African-American singers as part of our opera companies. If you take music and the arts out of the public schools, then you're going to lose a lot of people that you might have discovered were talented, very early.
When I was young, I had this contrarian thing, and my music for a long time was an extension of that. I didn't want to entertain people; I had too much vanity to be an entertainer. I think that some layers of vanity came off.
I went to the Brit School for the performing arts in Croydon at 14, picking music as my main subject, and I'm so glad I did. I knew lots of people who'd gone there, so I always had my mind set on it.
I know that people everywhere listen to hip-hop, but especially being from the South, you really get that influence. You go out, you party, and it's just always there. Also, I grew up listening and loving reggae music, too.
People see my current success but don't realize I've worked hard to get where I am. I used to clean garbage off the Philadelphia docks and put a lot of time into developing my music.
I'm a Cancerian, the typical crab with the tough outer shell and the soft bit in the middle. I don't think I'll ever come to terms with people being unnecessarily nasty, but I can take it if someone doesn't like my music - I'm not everyone's cup of t...
I think maybe because of the kind of music I sing, people want to believe you're a diva. They can't believe after eight years, and eight albums, you're still relatively sane. I feel like they almost want me to throw something at somebody.
The classical music scene was completely unfamiliar to me. It was something that I didn't have the most fun associations around. A lot of people don't - they think of older generations and stuffiness. But it's not. You listen to the Overture of 1812,...
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
What part of people is resistant to an artist doing more than one thing? Is it somehow perceived as greedy? Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play mu...
Playing on the streets of Iraq, or in Israel or the Gaza strip, I'd sing angry protest songs against war. People would say, 'Make us clap, make us dance, and laugh and sing.' It really made me think about the importance of happy music.
We just sang real simple songs in a simple way that got to people. We didn't try to tart them up with orchestral arrangements and all the stuff. We were all blues fanatics. We like R+B and blues and simple, gut-feeling music.
New Orleans lives by the water and fights it, a sand castle set on a sponge nine feet below sea level, where people made music from heartache, named their drinks for hurricanes and joked that one day you'd be able to tour the city by gondola.
I've never been able to relate to many people. I've always been the outcast child. I don't follow the rules. That's kind of how I do everything. Through my music, I've found a place in the world where I'm accepted, so I'm happy.
What I really want to do is, first of all, get my music out to the world. And then I would really just like to reach other kids all over the world and tell them to believe in themselves and prove to people that you can do anything you want.
When I was studying... there weren't any black concert pianists. My choices were intuitive, and I had the technique to do it. People have heard my music and heard the classic in it, so I have become known as a black classical pianist.
People sort of imagine Chris Morris and me sitting somewhere dark, with dripping taps and chilling background music. In fact, we like to sit on his roof in the sunshine - and there's an endless amount of just sitting there, going, 'So, erm, er, what ...
When I started performing, I played acoustic music, partly because that way you don't have to worry about interacting too much with other people creatively. Asserting myself in that way was not really a strong point for me.
A movie is painting, it's photography, it's literature - because you have to have the screenplay - it's music. Put a different soundtrack to a comedy and it's a tragedy. A movie combines all those forms and forces you to pay attention for two hours w...
The thought of bringing a cake into a dance music show is a bizarre one. The idea of rafting on top of people is just as bizarre as well. And I think whenever something bizarre comes into play, it immediately becomes an easy target. And for those rea...
