I actually don't see that strong of a connection between my background as a rock 'n roller and my early films. In a way I think your musical identity in film work is determined by the jobs that come your way.
My favorite thing to hear from people is, 'I left the theater and couldn't stop thinking about it.' You want your work to have an impact after they leave the theater. It's the equivalent of leaving a musical humming a show tune.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
So many of the sounds that contemporary composers were trying to create were to be found in the traditional musics of the world. That was encouraging but also little daunting to think that you had to work so hard to be new and yet it was old.
I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.
I was creator and executive producer of 'The Brady Bunch' on TV. The stage version was done by others, but it was a repeat of the old scripts. The 'Gilligan' musical is a completely original work with all seven characters and 18 original songs.
I wanted something that had the feel of a complete band and a variety of instrument. Apart from doing the album for musical satisfaction, I felt it was an important statement for other women - showing you don't have to rely on other people to do thin...
When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.
I feel like I've matured more musically than I have personally. But I totally embrace what becoming older has to offer. I find the wisdom that comes with each passing year is a trip.
He’s got things to do, places to be, realities to believe in. He can feel the phone he’s been told to keep switched off in this communication-free zone vibrating in his pocket and he thanks God for its rebellion and, when the nurse pops out, he q...
Many parents have experienced the fact that kids don’t seem to honor their parents the way that previous generations of children did. The question we need to ask is, how did we get to this position? How did this lack of respect infiltrate even the ...
Communication is like a pressure relief valve for your body. When a little pressure gets cooked up inside and needs to be released, you can gently turn the nozzle and release it slowly and gracefully until you feel better, by way of a productive conv...
Communism deprives no man of the power to appropriate the products of society: all that it does is to deprive him of the power to subjugate the labor of others by means of such appropriation. It has been objected, that upon the abolition of private p...
She [Catherine of Siena] found a place of refuge in a lonely wood, where some hermits lived. It is generally thought that this brotherhood was the community of hermits in Vallombrosa, founded by St. John Gualbert, the man who had spared the life of h...
To eat in a monastery refectory is an exercise in humility; daily, one is reminded to put communal necessity before individual preference. While consumer culture speaks only to preferences, treating even whims as needs to be granted (and the sooner t...
You continue to stare at me for a few seconds, assessing my face, before you lean even closer to me. Your lips graze against mine briefly… Just enough to reassure that you’re not truly upset with me, but are nonetheless quite prepared to have som...
The judicial methods used by the Communists in our day are the same as those of the Holy Inquisition. To secure the Reign of Terror, the Communists are as brutal as the Christian Church was during a long period of thirteen hundred years, for the same...
...anyone still attempting to argue that Ebonics is a problem for black students or that it is somehow connected to a lack of intelligence or lack of desire to achieve is about as useful as a Betamax video cassette player, and it's time for those fol...
Even in sin, the act of love -done with love- is shadowed with divinity. Its conformity may be at fault, but its nature is not altered, and its nature is creative, communicative, splendid in surrender. It was in the splendor of my surrender to Nina a...
But if man genuinely produces man, it is precisely not through work and it's concrete results, not even the 'work on oneself' so widely praised in recent times, let alone through the alternatively invoked phenomena of 'interaction' or 'communication'...
A great library doesn't have to be big or beautiful. It doesn't have to have the best facilities or the most efficient staff or the most users. A great library provides. It is enmeshed in the life of a community in a way that makes it indispensable. ...
