I'm not in it for the money. I like music. I love to write music. I can't imagine myself not playing or singing or writing. It would just drive me crazy if I didn't.
I think people who just know me from my band think I don't like pop music. The truth is I love pop music.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that, whether it's Indian or it's Western.
I've always been in love with that Delta-flavored music... the music that came from Mississippi and Memphis and, especially, New Orleans. When I was 14, I was in a wanna-be New Orleans band in Toronto.
How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white.
It is interesting that our biggest fans are the greatest names of the classical music scene, such as Julian Rachlin, Janine Jansen, Mischa Maisky and Gidon Kremer. They even make guest appearances in our concerts occasionally.
It's always been about making music. I've never gotten caught up with the trappings. You can't get caught up in the limousines and the chicks. The most important thing is the music.
I think that music and visual arts can complement themselves nicely. They do different things - the music forces you into a different mood and perspective whilst the visual stuff can engage you in a more direct cognitive manner.
I was always an odd girl; I managed to alienate a lot of people. I felt like a square peg in a round hole in the music industry and created a lot of neurosis for myself.
Coming from my bedroom in San Antonio to this big world and going from singing covers off my laptop to making music in this nice studio, making professional-sounding music - it's just weird.
The advice I am giving always to all my students is above all to study the music profoundly... music is like the ocean, and the instruments are little or bigger islands, very beautiful for the flowers and trees.
India is a musical country, so it would appear obvious to use our collective passion for music to promote a book.
There's a certain type of indie fan who would balk at the prospect of there being value in pop music, but I think that's foolish. They're not really listening.
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.
Drawing and visual pursuits were first. Music came and found me in a way. Really, what it's about is creative problem solving, and music is a lot more an expression of that than painting is for me.
The people that only listen to one song from a record and flip around that much, if that's the only way they listen to music, they're probably the kind of people that like music as something to drive to, you know?
When you're playing music, say for instance, you're playing a part of the band and you're looking at your music, your horn is down into the stand. This way, it's up and it goes right on out to the audience, you know?
There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
When I finish something, I want it out that day. Pop music is like the daily paper. Its got to be there then, not six months later.
I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.
I can travel with music. I close my eyes, and I can travel all over the world with music. And one after another, stories come to me, and I just record them.
