Gene Autry was the most. It may sound like a joke - Go and have a look in my bedroom, It's covered with Gene Autry posters. He was my first musical influence.
You will be most readily cured of vanity or presumption by studying the history of music, and by hearing the master pieces which have been produced at different periods.
If we can feel that it is not our voice, not our fingers, but some reality deep inside our heart which is expressing itself, then we will know that it is the soul’s music.
The darling mispronunciations of childhood! - dear me, there's no music that can touch it; and how one grieves when it wastes away and dissolves into correctness, knowing it will never visit his bereaved ear again.
I started acting as a child in Community Theatre but I didn't do any serious stuff. It was all musicals like 'Annie' and 'Wizard of Oz.' I was always in the chorus.
If I wrote a musical it wouldn't be about me. Although I do some magic, so it would probably be about a magician who appeared and re-appeared all over the place.
In the white marble hall of the hotel, I'm waltzing with Rajat. The music is a river and we're dancing in it. It winds against our bodies, muscular as a serpent.
When you sit down and think about what rock 'n' roll music really is, then you have to change that question. Played up-tempo, you call it rock 'n' roll; at a regular tempo, you call it rhythm and blues.
It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials.
It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature and everlasting beauty of monotony.
Music is, of course, a universal emotional experience, cutting across cultures and languages. I studied piano for ten years as a child and consider that experience one of the most valuable in my life.
I didn't have a regular school experience and wanted a more abstract way of learning. I started exploring in lots of different creative ways. It gave me the opportunity to travel and play music, so it was good for me.
What does New York sound like? For me, the Charlie Parker at the Royal Roost recordings on the Savoy label are the total embodiment of the New York music experience.
Sometimes when you meet a musician you are a fan of, and he or she isn't the friendliest person, you walk away from the experience wondering if you will ever be able to listen to their music again.
I do notice that I spend a lot of all my time steeped in different forms of myth, such as English folk music, for example, not really studying it necessarily, but just trying to experience it so I can recall it later.
A person can do a lot of reading and research as I have done. I went to Spain and spent a whole summer there with my family, immersing myself in the culture. But all that isn't really necessary to experience the music.
There's no doubt that there's certain songs and arrangements of music that release a chemical reaction in my brain. This sounds a little goofy, but I really believe that. It's such a euphoric experience that I sort of want to chase that experience as...
I really do love Diana Ross; I grew up listening to her records. I grew up in a little town in Mexico, so while we got the music, we never got the experience of watching her.
I know I have experience, having worked with the likes of legendary composers like Ilaiyaraaja. And, I've been long enough with my dear friend A. R. Rahman, and we've collaborated on several musical works. All this gives me confidence.
When playing any song in front of an audience, you're watching them experience it, and it changes. In a lot of ways, it's almost like the music is just the background buzz to what's happening between you and the audience in the room.
If we want to fight people in the world, we should fight them with pillows - pillows stuffed with food, medicine, music... That would be so much cheaper than bombs.
