Music leaves such a big impression. I always wondered, 'Man, if I grew up in Nashville, would I be making Country records now?' I honestly feel like Chicago had such a big impact on me.
When I graduated college, I had a fairly successful weekly club gig and was buying more studio equipment and writing my own music. I realized I didn't want to work.
I think people need to have fun with whatever they're doing - makeup, their clothes, music, live shows - anything you don't need to take too seriously, don't take too seriously.
I don't think shoving my butt into people's faces will tell them anything about who I am. How is that connecting to your audience? What is that doing for your music?
My sound definitely pays a lot of homage to the Nineties, but not just the dance music. There's also breakbeats, R&B, the big ballads. It's that whole era infused with very modern sounds.
I think the industry is oblivious to the fact that most people listen to all kinds of stuff. I personally don't know of anyone who listens to only one genre of music. It's vanity because no one does.
Michael Jordan changed so much in basketball, he took his power to make a difference. It's so much going on in music right now and somebody has to make a difference.
It's a little bit more like I want to give this to the people that are really into it first - I don't have a lot of desire to be like Bon Jovi or something like that, I really want to concentrate on the music.
As Governor, I could think of only one way to unify our State that was made up of so many different climates, political beliefs and people, and that was our music.
When I was governor, I was looking for a way to unify our state. I realized music is about the only thing that unifies Tennessee.
When a music teacher that I had at school was taken ill and we had a variety show and I had to fill in - that's when I realized I had a voice.
I studied voice when I was at school, and I was in the chamber choir, and I studied music theory as well, so I guess a lot of it came from being taught at school.
I can only speak for myself and my own music, because that is what I am most familiar with, and I write about things that I am living or experiencing.
We used to play music for fun. Much more than now. Now nobody picks up a guitar unless they're paid for it.
To hell with reality! I want to die in music, not in reason or in prose. People don't deserve the restraint we show by not going into delirium in front of them. To hell with them!
I dropped out of NYU, moved out of my parent's house, got my own place, and survived on my own. I made music and worked my way from the bottom up.
I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
I have to detach myself completely from aspirations. I hardly ever listen to music anymore because it arouses all of this yearning in me.
I think I'm sort of blind to genre. As long as it has a sort of honesty about it, which I think you'll hear in whatever music you respond to, then I think it doesn't need to be called anything particularly.
I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.
I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.
