I've always, especially through old Hollywood musicals, loved just to watch tap dancing; I adore it. I think it's fantastic.
It was only through getting interested in more out-there and avant-garde forms that the musical suddenly seemed like such a wonderful genre to me.
That’s one of the great things about music. You can sing a song to 85,000 people and they’ll sing it back for 85,000 different reasons.
In the soul of a lover, it is always spring where flowers of ecstasy are always blooming. Music of love is always playing.
I've learned a lot from being a chameleon, sort of adopting the musical personalities of who I was playing with.
Good film, television, or music keeps you awake, anxious for the next movement or act, and wanting more when it is finished.
I'm not really a big musical fan. I enjoyed 'West Side Story' when it came out, but it gets a bit tired in the end.
If you're going to make a musical, don't cartoon it from the play. Make it better than the play. Have a reason for making it sing.
Hearing that the same men who brought us 'South Park' were mounting a musical to be called 'The Book of Mormon,' we were tempted to turn away, as from an inevitable massacre.
I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
I wish I had the guts and talent to be a good comedian. I love the idea of it, yet I'm terrified of it. I'd also love to play music in front of people.
Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.
I'd love to do movies and be on TV. But I think if I transitioned into TV/film completely, I would really miss singing and dancing. It would be ideal to be cast in a movie musical!
I love scoring. Putting music to picture is a rewarding challenge and one that relies on interpretation of emotion - as in, what is the pivotal feeling in a scene and which character's point of view is driving it at any given moment?
My favorite music isn't necessarily the songs that One Direction come out with. That doesn't mean to say I don't secretly really love some of our songs, which I do.
Chairman: Can you think of anything of real value that the outsiders have brought with them? Bess McNeill: Their music!
It must have been an extraordinary time. I guess the worrying thing about musical theatre to me, is if you look at the London season this year, mine is actually the only one to have come in.
I became an actor by accident. I suppose I figured since I was in musical comedy from the time I was a teenager, I suppose I figured that I'd always been in that world to some extent.
The way I look at it, they're all part of my musical diary, and I can listen to any one of them and it will bring up memories of what was going on at that time.
I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.
I was in the studio so much, it was about the search for air in a metaphoric sense, and the breathing has more to do with travel for me, about the search musically for open air.
