In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed.
I didn't know if I had the music for it or if I could pull off the larger concert experience. Then I realized if I can just continue to be myself, I'll be all right.
In the United States, we spend millions of dollars on sports because it promotes teamwork, discipline, and the experience of learning to make great progress in small increments. Learning to play music does all this and more.
The desire to share is not a vague, windy sentiment, not when you see the massive rise in live concerts in response to the phenomenon of downloading music... People want to get rid of the headphones and be part of a shared experience.
By the time I got to building synthesizers, I had perhaps 20 years' experience building electronic musical instruments.
With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral...
Making an album should be an honest experience. It shouldn't be about trying to gauge where popular music is today; it should be about artistic expression and putting down what you want to put down.
Trying to get my music performed live by bar bands was a self defeating experience. It really just distracted me from what I should've been doing all along, writing and recording.
I graduated from UC San Diego, wanted to work in film to get my hands-on real experience, did music videos, TV, feature films, all kinds of stuff.
You walk off the plane in Rio, and your blood temperature goes up. The feel of the wind on your face, the water on your skin, the taste of the food, the music, the sexuality; Brazilians are very comfortable in their sexuality.
For me chilling out is when I can stay at home, order food from outside and watch a film with my friends. Listening to music and watching films are my idea of perfect relaxation.
New Orleans has a unique history as a great melting pot of all kinds of cultures, and that manifests itself now through the food, the music, and the kinds of people who live there.
That happens every time I get behind a guitar, regardless of what I'm saying, 'cause music is freedom and being free is the closest I've ever felt to being spiritual.
Punk is musical freedom. It's saying, doing and playing what you want. In Webster's terms, 'nirvana' means freedom from pain, suffering and the external world, and that's pretty close to my definition of Punk Rock.
I am not a composer of music; I sing pieces which have been written for me which gives me bigger freedom to search for pieces I want to record.
It is immensely enjoyable to work for an album because there's a lot more creative freedom. In films sometimes, all that the makers care about is making the music commercially appealing.
When I was a young man, I shined the shoes of Louis Armstrong and Louis Jordan! Music was just everywhere like that. And in my family, everyone could play something, and if they couldn't play, they could sing.
I didn't want to call and schedule shows or call and make people listen to my music. Luckily, my friends and family really stayed on me and made me put myself out there.
YouTube and other sites will bring together all the diverse media which matters to you, from videos of family and friends to news, music, sports, cooking and much, much more.
I came from a very musical family, so I grew up singing karaoke with the family. My family said 'do this' and brought me to singing lessons. I had always been writing poems and songs.
I grew up in a musical family; the majority of my growing up was done in Hawaii. It's what we do. You sing, you dance, you play ukulele and you drink.
