When the Beatles cut old rock n' roll, they were recording music still in their performing repertoire, and besides, they never thought of the music as old.
I'm not an '80s fan. I'm more '70s New York pre-punk kind of thing, and I guess I grew up with '90s grunge, post-punk pop music.
I didn't know much about him, and I wasn't a big country music fan. I listened to the Beatles and David Bowie, so I didn't know a lot about him.
Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.
I see music as an aid. It overcomes my internal editor, especially when the music evokes the character or the mood I'm trying to build.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.
I've been performing since I was in high school, so I've seen people react to my music and my playing. I'm always appreciative when people like the music, but I'm not shocked.
You're now getting a new breed of people like Il Divo and Andrea Bocelli and I think that's why people feel less intimidated by classical music than they once did.
Music always turns into music. As soon as I play a key, push a key down, there's no theory any more. When I go and I hear a sound on the keyboard, all theories go out the window.
Well, to be honest with you, yes there is and there is not. But as I am a fan of this kind of music as well as the rest of the guys naturally are - and being a fan, we kind of get pleased by our music as fans and as being in SLAYER.
I never get tired of exploring Americana or country music, and I always have a little bit of a crooner in me that never seems to go away.
I don't think that three minutes of music on a commercial record is going to bring paradise, but I feel like there is power in music and power in our words and power in what we put out into the world.
I don't only like rap music. There's everything from R&B to crazy gangster rap, hip hop... everything! But it all blends together nicely. It's like a magical music rainbow.
I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out.
I was kind of going that route with my country music. Indie country. Which would work, if I was playing on Americana stages. Unless I had a television outlet like 'Glee'.
I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.
Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them.
When I first came to Nashville, people hardly gave country music any respect. We lived in old cars and dirty hotels, and we ate when we could.
I feel that Christian music is a subculture directed towards the Christians. It's not really being exposed to non-Christians and it's not really created for non-Christians, so non-Christians almost never hear any of this music.
