I think being a movie star is about whether an audience can watch you and care about you.
There are a lot of people out there who offer roles to actors because they'll elevate their movie to a place the movie would never reach.
I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
When I'm in the middle of making a movie, I have blinders on; it's all about just getting the movie out.
Actors will change their face, will change their hair, will change their voice, will disappear into the role. A movie star doesn't disappear.
How do people relate to movies now, when they're on portable devices or streaming them? It's not as much about going to the movies. That experience has changed.
When you make a movie, a dramatization based on the real experience of a living subject, you can't airbrush that away into to a perfect movie arc.
I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
When I started drama school, theatre was the main draw. I never had any movie star notions. Not that there were family ties to the theatre, either.
A lot of times I think people, when they're doing a movie that's a family movie, they're worried about this being too esoteric or too dark or too weird.
Man, I love the 'Lord of the Rings' movies. Some people would say I'm weird for liking those types of movies, but they are so cool.
Why be boring? Have some fun. Rock shows should be like movies: I don't go to a movie hoping it'll change my life.
You can change a person's life in an instant; put him in a movie, and you start thinking differently, you want to be in another movie. It's like an addiction almost.
Dreams come true, but then things happen that are beyond anything you could dream. To be in a movie and to be in the same room participating in a movie with Meryl Streep? Come on!
I've always wanted to be a very commercial director, or I had dreams of making these movies into blockbusters. And with each movie, they tell me it's not that way.
I was a cartoonist when I was at university, but I decided to go into movie making knowing that I could still draw by doing movies, design work, story boards, and such.
There will be a Skype movie soon... someone will crack the code, and it will be great. Then, there'll be 30 Skype movies, and we'll be like, 'Oh, that's boring.'
The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.
When you're first starting out, you want to keep making good movies. When you're young and you're black, you do a bad movie and you're through.
I just love good movies. And not every movie you're going to end up in is always going to turn out right, but at least walk into it with the right intention.
There are a lot of things that come to bear on movies now that I don't think are good for movies. They're trying to appeal to the biggest demographic and, when they do that, you sometimes flatten out.
