I grew up in a conservative small town, and the gay characters I saw on TV and in movies when I was growing up were all flamboyant and obnoxious and sometimes kind of annoying.
I started in movies in 1963, and the first big one was 'Rosemary's Baby' in 1967. While you don't notice it right away, it finally dawns on you that 80% of the time, you're doing nothing.
Now, I have big-money offers on three movies, and I have director approval. That's kind of scary,' he says. 'No directors have been attached. That's a lot of pressure on me.
I had been around Bruce Willis for two straight movies, so I saw the way the paparazzi follows him and the way the public is with him. He's a mega-star over in Europe.
Comedy is so fun. I don't know how these people can make movies and work on them for four months and they're these sob stories. I don't know how emotionally you get through that.
I know if I wasn't making music and acting, I would be involved in the performing arts world in some way. I would be either writing and making music for other artists or producing movies.
That's my fun time so, to me, doing my homework, studying on what I do, watching the movies, listening to music, all that inspires me so I focus a lot on that and practice.
The fantasy genre is so in at the moment. Viewers want to escape from their lives and watch something that is so separate from their everyday existence. People have always wanted to escape their lives - that's why they go to movies and the theatre.
I didn't bring my headphones, I'd watched the two movies they had played and I was just like, 'Can we please find a donor that wants to give us a private jet? This is not Okay.'
George Raft may or may not have gone both ways, but he was very sensitive to what they said about him, and it was one factor why he decided to play all those gangsters in the movies.
I want to keep working, I want to keep doing my humanitarian stuff around the world, shining light on different places that have problems. Keep making movies, make people laugh.
I started watching actual movies when I was pretty young. So, I didn't think about it at the time when 'I Am Legend' came out. I just watched it.
I've been auditioning for a few movies here and there. I don't want anything to get in the way of the music any more than it has. It hasn't really gotten in the way; I've been doing two things at once.
I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more.
Sexiness, particularly in movies, is the chess game in the 'Thomas Crown Affair'. It's, it's, I don't know, but Faye Dunaway comes up a lot in that thinking. It's the subtlety of sexiness. The moment you try to be sexy, then it's not.
I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.
I was interested in music and making movies about musicians, but my own experiences, and doing what it felt like for me to be a drummer? Nah, I wasn't interested in that.
I never get scared making these kinds of movies because it's all make-believe, but I did cry when I saw the finished version of Man On Fire because it is so sad.
When I was a kid, I would make kung fu movies with the kids in the neighborhood, and I would be the guy behind the camera directing everybody, but they were all very silly little shorts and comedy bits.
