I grew up and I was weaned on the Marx Brothers. They were sort of my all-time favorite. My parents showed me their movies when I was very young. And as I got older, I became a Charlie Chaplin fan, and I love Buster Keaton.
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
I'm the bad guy on the rest of Jennifer Love Hewitt's 'The Client List,' I'm the bad guy in Renny Harlin's 'Hercules 3D,' and I'm a movie star - finally - on Showtime's new series 'Ray Donovan.' But most importantly, I'm about to be a daddy, so I'm e...
Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
I think there's a possibility that comic book movies are getting a tiny bit better on the one hand because they're no longer made by executives, who are, you know, ninety-year-old bald tailors with cigars, going, 'The kids love this!'
I thought that Hollywood was just for geniuses and that directors come from three generations of directors. I was worried that I was not up to the challenge of making a movie. Then realized that all a director has to do is know what he wants to do.
My dear countrymen, I hope that you will live to see the day when you learn to believe in other gods than a few movie whores and a couple of prize-fighters.
There is no difficult moment working together because when we start a new project, Dante starts to make all the sketches and I can see the vision of the movie and then I start my job.
Sometimes I finish a movie, and I get used to a certain lifestyle, and when that stops, I get a bit lost for about a week. 'No one is bringing me lunch anymore - I've got to go do that myself?' I lose the main point of my focus.
I suppose they call me a woman's director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
Of course, I'm not often the top dog, but sometimes it's better not to be top dog, because you last longer. If a movie or play flops, you always blame the lead. They say, 'He couldn't carry it.' They always blame him. But they rarely blame the second...
I'm fascinated with worlds where there's a small population left, whether it's a movie or these TV shows that fascinate me - 'Falling Skies' or 'The Walking Dead' - they are about survival and triumphing over difficult times. I just have a thing for ...
I remember how much fun it was to pick out my lunchbox. My all-time favorite lunch box was from the movie 'Annie.' Also, I loved picking out school supplies! Trapper Keepers were my favorite.
I'm in kind of a strange position - I have a strong Australian career and a strong British career. Then there's the American career. For every movie I do here, I do two somewhere else. I bounce back and forth between the three places.
It's a director's job to tell a story and he's very well versed in telling stories with a bit of comedy in them and keeping the pace of the movie right and that's exactly what he did. He was observant of a world he didn't understand but he told a won...
If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
We always seem to be a bit surprised that our children are reflecting stuff that we are showing them. I don't know about you, but every movie that I saw when I was a kid, I emulated. I was Haley Mills for an entire summer and had an English accent.
NW" is full of split selves, people alienated from the very things they thought defined them. Their nostalgia -- for old movies, old songs, buses they don't ride anymore -- is less a salve than a form of pain.
I think everyone who goes to see a 'Bond' movie expects to be impressed by the look and the locations chosen. Certainly I was when I grew up watching them, and I don't think that's changed in the last 50 years.
You get to a point where you have to start planning, when you cross that line where you have enough value to get someone's movie made if you attach yourself to it, you have to be very thoughtful and have to plan.
Like the he-man movie stars who turn out to be queer . . . or the silent-film actors whose voices sound terrible recorded--the audience only wants a limited amount of honesty. [ellipses original]
