I'm thinking, this is Robert Redford. You know, he's won an Academy Award, he's talking to me about directing a movie he's in. So you just think that it's Hollywood stuff or whatever.
I have no sense of what War is like; It may be like disaster Hollywood movies. But i wish india and Pakistan fight a War and devour all ; instead of decapitating one-by-one
I learn more from the audience than I can from anybody else. Not from what they write on the scorecards, but how they respond to the movie while they're watching it - where they laugh and where they react.
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.
You can always tell in a movie when they are setting you up for something. If someone leaves an important object on the table and walks away, the camera will have some way of indicating that to you.
It's always weird when you see a movie, and there's no reason for someone to, like, jump on stage and be a singer, and then they just do that... But if it came organically, I would grab that mike and jump on stage for sure.
A movie star is someone people look at and go, 'I want to be like that person'. There's the responsibility of desire. It's not something I'm interested in trying. I would fail miserably at it, so why even bother?
All I've ever ended up with in terms of achievements is the movie, some really stupid anecdotes, a bunch of crosswords that I didn't finish and maybe some old bicycle that I found lying around on set.
Mike Nichols asked if I would do The Birdcage. Mike and I are dear friends but he had never offered me a feature role in a movie. My television career opened other doors for me.
In the past I'd always felt like 'the girl' in the show or the movie. On 'Friday Night Lights' there were a bunch of girls, and I was the woman. Initially there was a little struggle with my identity around that. But now there's a sense of ease.
When movie people go over into television, it's a little bit of a shock. It's much faster-paced. Everything is really last-minute. You won't know your schedule for the next episode until the last minute.
Now, I just made an animated movie a few years ago, 'The Tale of Desperaux' , and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.
'Flying Down to Rio' established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.
Unless you have a long-running series, most actors just go job to job if you're lucky to keep working. You just do a movie or a play or a TV thing, and it's over at some point.
I say making movies is like eating a sandwich of shit. Sometimes you get more bread, sometimes less bread, but you always get shit." (Guardian interview 2006)
I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.
With a movie, it's probably easier to sustain intensity and seriousness over the 90-minute duration. But in an open-world game it becomes exhausting, demotivating and even uninteresting for the player.
Early in your career, you feel like there is a formula, a path you have to take. You have to do this movie because this person directed it and you have to be associated with these people. In some ways, I have thrown that out.
And then I went to visit my sister in the states and all of a sudden it was just like, it's like... it's like the movie Wizard of Oz when all of a sudden it changes from Black and White to glorious Technicolor.
I found school quite tough, but Saturday night was movie night, and I started to empathise with the characters on screen. I started to get more involved with what these people were experiencing. Film inspired me to do better.
The first set I remember was 'Ghostbusters.' It was a scene in which the street erupted. I remember even at seven years old thinking, 'Wow, if you direct a movie, you can break the streets of New York.'
