Today what is more important for me is performance. At the risk of sounding immodest, I have done it all - 61 movies over 12 years. But now I am looking for quality. It's easy to be a star. Now I want to be an actress.
If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script....
Over a spell of about three years, I played a series of roles that were, for me, all very different, but most of them came out within a six-month period. They all dealt with a kind of dark territory that in some cases had been mined before in movies.
You may have seen me in movies like 'Fast & Furious' and 'Avatar.' But I wouldn't have been able to do any of that without hard work and determination. You can accomplish anything if you just stay out of trouble and do the right things.
I really unfortunately don't have tons of hilarious Sundance stories, because really I am not the biggest fan of hanging out, but the reason why is because I never go see other people's movies and I think that's the way to do it.
I spent all my time on my movies worried that people were eating and that the schedule was being kept, so to have experts in those areas giving me the brain space as a writer and director is huge.
I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.
Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
African American women in particular have incredible buying power. Statistically, we go to the movies more than anyone. We have made Tyler Perry's career. His films open with $25 million almost consistently.
Hollywood is a wonderful machine for making big movies. In France, we make smaller and more personal films, but if things keep changing, this will disappear. The industry in Italy is practically gone. Cinecitta now is used mostly by filmmakers from o...
What I look for in a script is the plot point and whether they're strong, obviously, or not, whether the characters are rich or not, and if I can do justice to the character or not. Some movies you look at and the script is so bad that no one can do ...
I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked.
Film-makers are always going to be interested in making movies that plug into society around them. That's what a vibrant, artistically alert community should be doing. After all, it would be sad if we only made films about alien robots.
I learned English at school, or at least that's how it started. Also, in Holland - as opposed to some other European countries - we don't dub anything, so as a kid growing up, always watching English and American movies in their original language rea...
I like zombie movies. I like 'The Walking Dead;' I like the metaphor of it, simply because when we go with the zombie concept - if you're bitten by a zombie, you don't transform into something else like a vampire or a werewolf or whatever. You become...
The cardinal sin in sports, what could really wreck it, is not cheating to win, which has gone on forever, but cheating to lose. That threatens a fundamental aspect of sports' appeal, which is their spontaneity. If games are fixed, they're no differe...
Here's the most mysterious thing to me. I look back at those first plays I did and the first movies I did, and I only have one question, which is, 'What was I so confident about? Where did I get that?
I remember watching the Blu-ray, and also when they first released it on DVD in the collection of all three movies of 'The Godfather,' and seeing all of those scenes that they cut out, and there wasn't a single one of them that I wished they had kept...
You never know when you read a script how it's going to turn out because so much depends on the collaboration between people. If I'd been in some of the movies I turned down, maybe they wouldn't have been a success.
In 2004, when I started recording my first CD, I was coming right out of yeshiva. So I had spent two years completely immersed in the Hasidic culture, disconnected completely from the secular world - movies, music, people.
Woody Allen's movies are so much a part of me. I grew up watching them over and over and would read all his comic pieces for the New Yorker. In some ways, his influence is so much there that I can't even locate it any more.
