I don't think people understand what it takes to make a movie unless they've experienced it themselves or been around it. It's a miracle every time you make a movie, and a bigger miracle if it turns out well.
There's something that's very human about 'Warriorv that brings you out. You're watching the movie and, yeah, there's fighting - there's a tournament at the end of the movie - but it takes a long time to get to know these people.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
Paprika: It seems you have quite a fondness for movies. Detective Kogawa Toshimi: I don't really like movies all THAT much...
Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control.
For me the greatest source of income is still movies. Nothing - stocks, financial speculation, real estate speculation or businesses - makes more money for me than making movies.
All of my books have the potential to become movies, it's just a question of finding a studio who wants to get behind me and put up the money to make the movie.
People tend to compartmentalize themselves into IT people, and movie star people, and scientists, but when we share our perspectives about nature, we find a common denominator.
There's no one 'right' way of making a science fiction movie; there's no one way of making any kind of movie, really!
I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
I'm a fan of some horror. Some of the really corny b-horror movies I don't love so much, but 'Rosemary's Baby' is one of my favorite movies.
I love watching the old movies. I love Katharine Hepburn. I just adore her and everything that she stood for. I find it interesting watching the likes of Gene Tierney and those classic movies of the '40s.
I don't have this crazy dream about going to Hollywood, because I really love to watch movies and do movies that are complicated, and I want more strange things and complicated things.
Is making a movie true love if you're a creative person? It could be. But in my world, the importance of being a father and having kids and knowing that connection is true love. Making a movie is love.
I really love Andrew Dominik's movies. When you work with someone whose movies you really love and who you have a lot of admiration for, you turn into putty in their hands.
I work in the '60s more than I've done anything else. I did a movie, called 'Down with Love', in the '60s. I did a movie for HBO about the Johnson administration in the '60s.
I am a movie fan across the board, though, so if a movie is well done then I love it and it does not really matter what the genre is.
Becoming a producer enables you to empower yourself, to make the film that you want to make. I have desires to make movies - I have movies I'm developing, and things that I'm interested in.
I don't want to speak for my movies; you could say my movies are just completely silly and dumb, but in the case of 'Idiocracy' and 'Borat,' without a doubt there is a really subversive and sophisticated assault on American culture.
Everybody knows when you've got a role in a Spike Lee movie, you're gonna blow up. But I happen to be the only person who's had the lead in the two Spike Lee movies nobody saw.
I was that kind of kid that was going to the movies every weekend, I couldn't get enough of the movies, and now I get to make them. So I kind of have a one-track mind.
