I didn't even dance at my high school prom, and I have turned down so many movie roles because I didn't know how to dance.
I do small cameos here and there but nothing that requires more than a paragraph of talking, because I'm just an amateur. The movie is a whole different reality.
When I'm not training for a movie, it's more relaxed. I do a lot of running. Usually I'll run four to six miles about three times a week. You try to eat right, but you don't always.
Well, I wasn't just kind of standing in a queue at McDonald's and someone sat down and said, 'You're the director of a $100 million Hollywood movie.' I've been working in commercials for ten years.
When I present those clip shows and movie mistakes and things, the persona the writers adopt for me is unimpressed, superior, very sarcastic - I'm not any of that. I can do it, but that's not what I'm like.
From the point of view of being in the public radar, comedians have less problems than other actors. Action movie stars like Stallone or Schwarzenegger usually attract the more aggressive fans.
I understand why some kid in his bedroom in Wisconsin thinks downloading songs couldn't hurt anyone. True fans will buy the CD or go see the movie after downloading, but to say it doesn't affect anyone - come on.
I don't care what reviewers think. If somebody hates a performance of mine, I kind of get a kick out of it. It amuses me when critics take something so irrelevant as a movie so seriously.
After torturing our adrenaline by watching a horror movie for a couple of hours the places we are most afraid of are the doors and windows of the room even though they are the only ways for us to escape in case of occurrence such an event.
The first Bond movie I saw at cinemas was 'For Your Eyes Only' when I was almost 10. I got into the Fleming books after watching 'A View To A Kill' a few years later.
I am only interested in bad taste if I can enjoy a gruesome tango or watch a movie that makes me cry.
I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.
When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
All these directors who do different locations forget that one room can be shot from a million different angles and a million different ways. When I direct a movie, I'm going to use that.
With all the horror in the world and all the crap that's going on, for an hour and a half you go eat some popcorn and laugh with your friends. That's what a movie is all about.
I was in Jersey when the whole World Trade Center thing happened and I felt powerless. So, I went to Hawaii and did a surf movie. It's kind of fluffy.
I never went to a John Wayne movie to find a philosophy to live by or to absorb a profound message. I went for the simple pleasure of spending a couple of hours seeing the bad guys lose.
I just hate that Lucas... and it is not just Lucas, because everybody does it, where, boom, they get it out, and then there's a special edition for a movie that doesn't deserve a special edition.
The sexy moments for me, I wasn't thinking of them as sexy. I was thinking of them as more specific to my character. So it was necessary for my character's development in the movie, so that's how I played it.
I want to make a film that is commercially successful because that means that the larger cinema-going audience around the world like the movie, which is my goal. That's my job, to make films that people respond to.
You're being cast for your acting ability. It's not based on the way your body functions. If you're playing a lead in a movie, it's for that character and they'll tailor it to you. In a dance company, you have to fit in a definite mold.
