I didn't bring my headphones, I'd watched the two movies they had played and I was just like, 'Can we please find a donor that wants to give us a private jet? This is not Okay.'
George Raft may or may not have gone both ways, but he was very sensitive to what they said about him, and it was one factor why he decided to play all those gangsters in the movies.
I want to keep working, I want to keep doing my humanitarian stuff around the world, shining light on different places that have problems. Keep making movies, make people laugh.
I started watching actual movies when I was pretty young. So, I didn't think about it at the time when 'I Am Legend' came out. I just watched it.
I've been auditioning for a few movies here and there. I don't want anything to get in the way of the music any more than it has. It hasn't really gotten in the way; I've been doing two things at once.
I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more.
Sexiness, particularly in movies, is the chess game in the 'Thomas Crown Affair'. It's, it's, I don't know, but Faye Dunaway comes up a lot in that thinking. It's the subtlety of sexiness. The moment you try to be sexy, then it's not.
I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.
I was interested in music and making movies about musicians, but my own experiences, and doing what it felt like for me to be a drummer? Nah, I wasn't interested in that.
I never get scared making these kinds of movies because it's all make-believe, but I did cry when I saw the finished version of Man On Fire because it is so sad.
When I was a kid, I would make kung fu movies with the kids in the neighborhood, and I would be the guy behind the camera directing everybody, but they were all very silly little shorts and comedy bits.
I've always felt that the comic strip medium stands equally beside all the other story telling mediums: novels, movies, stage plays, opera, you know, you name it.
There's been a long lineage of a stranger in a strange land, whether it's 'E.T.,' 'Starman,' or other movies about trying to connect with humanity; it struck me that's what a Superman story really is.
It's ironic: In movies, the most successful films of all time have been sci-fi or fantasy. By far. But a lot of people won't even read science fiction books.
Clearly, the works of John Carpenter and Sam Raimi are front and center here. Argento is definitely there. But even stuff like the 'Friday the 13th' movies had quite an influence on me growing up.
Somebody asked me about the current choice we're being given in the presidential election. I said, Well, it's like two of the scariest movies I can imagine.
I think every American kid grows up dreaming about being in the movies. That's completely normal for us. But I mostly wanted to be a writer, and I got taught the scriptwriting program.
Now on Friday nights, if I want to go hang out with friends, I go hang out with friends. If I want to stay in and be in the hot tub and have people over to watch movies, I do that.
Michael Jackson is an accidental civil rights leader - an accidental pioneer. He broke ground and barriers in so many different realms in artistry, in pictures, in movies, in music, you name it.
