'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
After Hollywood, you know if people are interested in you or in the fact that you've been in a movie. You know who your real friends are.
Growing up in Vancouver, it's not like growing up, you know, in Middle America or the middle of Canada or something. It's a very movie town.
The Eva Longoria who worked at Wendy's flipping burgers - she needed a tax break. But the Eva Longoria who works on movie sets does not.
It's like whether you're in a huge movie or you've just recorded an incredible album you've got to do the next thing, and that's part of being an artist.
Usually when you see females in movies, they feel like they have these metallic structures around them, they are caged by male energy.
I've done a movie called 'Lemonade Mouth' for Disney Channel, which was fun to do. I actually got discovered through an open casting call where anyone could audition.
I've worked with Method Man and Shaquille O'Neil on multiple occasions. I'd never have thought. It's like, 'Oh, those guys. They're my movie buddies.'
I know now that I want to do more voice-over projects. They really have the ability to transport you into the world of whatever movie it is you are working on.
I didn't start out with a spectacular movie. Many people think you don't have to go from nothing to the top; they think you start at the top.
I mean, I don't mind promoting a movie, or talking to the press if it's going to be used in some way.
I guess what's most surprised me in most of the reviews is that they don't seem to get the noir story in the dream sequence, so they analyze it like a straight noir movie.
Visiting Lucerne is like going to Disneyland: You can't imagine that it is real because it looks like a movie lot.
I think a lot of people have a vision of L.A. in which TV executives and movie directors plan their latest productions by the swimming pool.
I like a little movie I did in the early nineties called 'Mortal Thoughts.' The part was hardly written, but I learned a lot making it. No one remembers it.
People have to identify with their own stories, with their own lives, so a movie belongs to a country and to a culture. Sometimes we can share, but it's very rare.
I start from scratch with each movie; I wipe the slate and I certainly don't rely on some bag of acting tricks I've amassed over the years.
I haven't been approached to do a 'Doctor Who' movie. I think they would be scraping the bottom of the barrel if they asked me to do it.
I was always the only black in the movie theater, the only black in class, the only black in the library, the only black in the discotheque. I always felt observed and judged.
A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit.
I think I signed some contract, early on in my career, that I will only kiss Steve Carell when I do a movie.
