Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.
Today’s generation didn’t want to watch ancient actors reciting the same tired lines. They wanted to see themselves reflected onscreen –rude, raw, entitled. These kids needed to believe that they themselves were only one daring, controversial a...
I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the righ...
I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an ac...
I don't think there's room in video games for people to bring an ego. It's very frustrating for any actor to have someone who's a celebrity take over your place. Like the 'Uncharted' film, they're trying to find someone to play Nathan Drake. And it's...
It takes a while for audiences on film to see you as something different if they've seen you for so long as a specific character. It's up to the actor to be like, 'Look man, let's try something else,' even if it's an ultra-low-budget independent. Peo...
When I was a young actor in Vienna, already my hair was falling out at a rapid rate. I went to a doctor, who said hair was like grass: if you mow it, then it grows back stronger. So I went to Brittany, where nobody knew me, and I shaved my head. When...
I'm a New Zealand actor, and I really want to be doing our stuff here, and our stuff includes plays from overseas. In terms of survival, maybe I should have taken a shot elsewhere at some point, but it gets back to the same theme - we should have our...
If you go into a bank or a shop and you want them to believe that you're going to shoot them, that's an acting exercise. If you want to turn to someone else who's as tooled up as you are and persuade them to put their knife down because you'll use yo...
When I was 25, I was in a show called 'Bajour,' and I was going to leave the show because I couldn't breathe. I couldn't sing, and I couldn't do the basic dance steps I had to do. Fortunately, two actors in the production - who were also yoga instruc...
When they offered me 'Wayne's World 2,' they said: 'We were going to give this to another actor, then we thought we'd see you'. I just thought: 'Surely you always had me in mind for that just in the way that it's written?', but they never admitted it...
I'm particularly drawn to actors in their own little drama. I find it's that area I'm very alive to. And I don't encounter it that often. You have to be far from civilization, you have to be far from New York or London to find people who do that.
If you're an actor, there's going to be a sense of fantasy about yourself, especially in the celebrity world we live in today. You give the illusion of being in control, sexy, at ease, with never a difficult moment. Those are the basic lies that all ...
I don't think you can discriminate against budgets, you know? I'm an actor, I guess, so I'm just trying to play as many characters as I can. If there's a character I think I can play, and they're going to let me do it, I'll do it whether it's $10 or ...
We are not nouns, we are verbs. I am not a thing - an actor, a writer - I am a person who does things - I write, I act - and I never know what I'm going to do next. I think you can be imprisoned if you think of yourself as a noun.
My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following t...
I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All t...
I think you get the most honest performances when an actor shows up to set with their lines memorized. That's a very important thing that a lot of people seem to forget. You have a pre-conceived notion of what you want the scene to be, but once you g...
My creative workday starts with strong breakfast tea and a few minutes of journaling, both of which help me get my head in the story. So much of story-building for me involves immersing myself in the character and situation I'll be working on, just t...
The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something ridiculous, and you say 'No, no that's too much.' Let's not worry if that's too much, let's shoot it, and then ...
I think of being an actor as kind of a young man's gig. It's emasculating, in a way, people messing with you and putting make-up on you and telling you when to wake up and when to go to sleep, holding your hand to cross the street. I can do it up to ...
