Over the years, I have been approached about making Ramona into a cartoon or movie, but I was afraid that no one could really capture the spunky character of Ramona.
So you can say whatever you want and quote me however you want about politics and make the next payday, and that's fine because I'm making that deal with you, but just mention the movie along the way, OK?
I just simply write as it moves me. I may be writing about a book or a movie or a person, places where I've been or something I've done. Or politics. It's going to what's on my mind at the moment.
As a Marvel fan who grew up with 'The Avengers' and 'Ant-Man' and everything, I definitely have my own sort of feelings about what I want to see as a fan in an 'Ant-Man' movie.
don't be too much busy on imagining your your life as perfect as the romantic movies, you have your own private story that is being written by the master of the masters.
Life is a movie. You are the director in it. The choices you make, are the things that you will see. After you make a choice, there will be no going back, only simple things that will erase it.
Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content.
I don't have any illusion that The Creeper is as popular or will ever be as popular as any of the classic movie monsters, but I think in the heart of every young horror fan is his desire to create his own creature.
Anytime I make a movie, I really have absolutely no idea how it's going to go over. I've had the whole range of different kinds of reactions.
Paris is a place where, for me, just walking down a street that I've never been down before is like going to a movie or something. Just wandering the city is entertainment.
Bantam Press. And they commissioned me to write it. And when that was completed, they sold it to Harper and Row. And then I put it out to every movie studio in town. And they all turned it down.
I've been campaigning like anything for restoring these changes. For 27 years. I wrote a book about it, well, a portion of the book was devoted to these scenes and why they should have been in the movie.
Sometimes a movie knows you're watching it. It knows how to hold and keep you, how, when it's over, to make you want it all over again.
It's weird because I've grown up a lot after filming the first 'Hunger Games' movie. Growing up with a character is really interesting because you feel like you have this connection with the role.
People sometimes say, 'Oh, you were a movie star,' and I'm like, 'No, I was a supporting actress.' I wasn't an A-list actress, and I'm fine with that. I'm proud of what I did in film.
We've tried to make a Superman movie where he does stuff and you go, 'Yeah, if I was Superman, that's what I'd do.' Even though he's an alien, he's more relatable, more human.
I thought that my movie career was finished. I was quite happy to dedicate myself 100% to the theater. Surprisingly enough, I've never gotten so many work offers. It's so exciting, this feeling of a new beginning after 40.
People don't realize that doing a horror movie is hard work. You're out there all day screaming your lungs out, breathing in toxic make-up fumes, rolling around in the dirt, getting your eyebrows burned off - it's not like doing a sitcom.
You work on a play or movie, you have the whole script, so you're constructing a performance based on the bible that you have. In TV, you don't, so to actually invest in that and let that be the exciting part is terrifying and certainly leaves room f...
One person who has taught me a lot and inspired me a lot was Peter Falk. I was fortunate enough to have worked with him in this movie called 'Vig.' He brought my work to a place where it literally shouldn't have been for another two or three years.
Making a movie like 'Felony' is hard work because you're really putting your own ideas on the screen. You can't hide behind some other person's script; you're saying, 'This is my brain, and I want you to know what I think'.'
