I became active in politics because I saw the possibility, if we all sat back and did nothing, of a world in which there would no longer be any stages for actors to act on.
I do not believe that artists or actors and people should be out there like voicing their full-blown opinions on politics because, let's face it, at the end of the day, I'm not that smart of a guy.
A lot of times, actors give so much power to the producers and the producing companies because, quite frankly, they have it. But we don't take the limited power that we have, which the power you initially have is to say 'no.' But 'no' in a positive w...
If you feel uncomfortable on stage, you can very easily descend into a sort of abyss, convinced you're the worst actor ever, that you're a disgrace to the profession, that you're a disgrace to yourself. It's an awful feeling.
If you're going to play a villain, there's no greater compliment than being told that you give people nightmares. I never thought I would be the actor that would give people nightmares.
A lot of actors won't do things because they say it is boring when you are always working. A lot of them won't go on tour, a lot won't do pantomime. I think you should do everything.
I stay away from the elf roles; I stay away from playing a leprechaun. All the roles I try to do are something that an average actor would do.
I run Willow Management, which is the biggest agency for other short actors. We look after performers who are either under five feet and over seven feet tall.
It's just people should realize that the celebrity aspect of being an actor is very rarely enjoyable for people like me who would always rather go unnoticed and disappear into the crowd.
From being a writer of plays, it was not that surprising that somebody thought of giving me a job as an actor. After I played one part, others came along.
I never grew up thinking, 'One day I will play so and so' because I wasn't expecting to be an actor at all.
Gradually the live TV scene simmered out, replaced by film, and that took place in L.A. So many actors left New York.
When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
I'm sure lots of actors and creative people go through this, where you have some weeks where it's all going according to plan and some weeks where you're super frustrated.
Wanting to be in a Western film won't get me very far. Unless the opportunity arose, it doesn't matter how much I want to be in one. But if an opportunity did arise, no actor would pass it up.
It's either feast or famine, and that's the way it's been for as long as I can remember. I've spent my whole career thinking I'll never work again. Every actor lives with that insecurity. You just have to negotiate the rapids as they come.
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
A film set is really delicate and people treat you very very well if you're an actor because they want you to be as comfortable as possible for you to do your work, but it really is just one in a team of many and usually 150 people.
What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and ...
If you want to be an actor, you should just get out there and do it. I don't go for the approach of first getting photos and an agent. I think you should start with the work, and the other stuff will follow. As with 'opportunity knocks,' you have to ...
If you've ever been around a group of actors, you've noticed, no doubt, that they can talk of nothing else under the sun but acting. It's exactly the same way with baseball players. Your heart must be in your work.
