I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned.
There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
My generation of Americans, the scions of daring dreamers, the children of the fearlessly faithful and the offspring of many of history's most audacious actors - we, together, drink deeply from wells of freedom, liberty and opportunity that we did no...
I feel that, as an actor, you're constantly working to become better, which I love, but with painting, I can fail on my own terms. There's a freedom in that, so that's why I love to paint.
One must never assume that a character is sympathetic because of either the actor playing them or the fact that they're a lead. I think that's a recipe for failure, actually, because if they become unsympathetic, you lose your audience.
I come from a family of actors. My grandfather was like a Laurence Olivier with the Comedie Francaise. Since I was four I went every week to the Comedie Francaise. My aunt and grandmother were there, but my grandfather was a big star.
There are actors who aren't on the cover of magazines but still decide what work they want and when they want it. I want a family one day. So I dream of really being able to decide when to work and when not to.
I love TV now, and 'Modern Family,' but what draws me back to theater is that initial instinct of wanting to be a theater actor. I love the challenge of starting a play and not stopping until you finish. I love the immediacy of trusting your instinct...
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
I find that balancing my life with my work with the kids at St. Jude, working on books, working on my career as an actor and taking time out for my husband and family help to cushion a lot of the blows.
In many ways, education is a lousy business. Teachers are not normal economic actors; almost all of them work for less money than they might fetch in some other industry, given their skills and advanced degrees.
Many American TV actors employ agents, managers, business managers, publicists and stylists, and are now adding digital media manager to the list. Their job is to reach out to the fans, managing websites, Twitter feeds, Facebook and Wikipedia.
My brother started in the music business, and I was an actor - we were both in the entertainment industry, but doing separate things. Then he went over to New Line and started their soundtrack department, that's how he got his foot in the door.
In terms of Cube I think he's very conscious of the technical aspect of the business whereas when you're just hired as an actor, you're not really secure in that part of your work and you're not really paying attention to where the camera.
I have friends that are much better actors than I am that had to quit the business because they couldn't survive the auditions or the rejections, or people just didn't realize how good they were.
I have made a promise to myself that I will have no limitations as an actor. I have realised I have to pay attention to the commercials or the business aspect of cinema, but deep inside, I am purely an artiste.
Being an actor gives you a chance to play all kinds of roles, very moving and dramatic on one project, silly and girlish on another. That's the most interesting thing out this business, you get to keep reinventing yourself.
I realized that there was something internal that I could gain from pursuing this career as an actor. However, once I got into the business I just really abhorred what this career can drum up inside of a person.
As a person who came from a small town and had dreams of becoming an actor, I know what it's like to have no support system for what it is that you want to do. A lot of people think you don't have a chance.
I guess there are very few actors that I've worked with that I would like to work with again. You never think you'll have that chance and, if we didn't do Italian Job together, there wouldn't be another one that could be right.
The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself.
