When you're in L.A., and you're making movies and that kind of stuff, you don't really get a sense sometimes, I think, what the fans are like. But you go into a room with 4,000 people or 2,000 people who know your movie, know the lines, and know the ...
I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges...
I just grew up watching a lot of movies. I'm attracted to this genre and that genre, this type of story, and that type of story. As I watch movies I make some version of it in my head that isn't quite what I'm seeing - taking the things I like and mi...
I think one third of my work is with first-time directors because I think I should, you know? Really, the difference between a first-time director and a second- or third-time director - I mean there's no director who makes enough movies anyway - but ...
I'll still make movies for studios, but my editing process will be much further removed from the studio system. Because I don't understand it. I don't understand the whole testing-numbers thing. It is not how I want to make movies. So if that's how t...
With movies, it's 10 or 12 or sometimes even 24 weeks, if it's a massive movie, to live within a character. But with a show that's successful, if you start in the first or second season and go until the end, you're always finding new elements of your...
I've always had a thing for old movies, old Hollywood. I've always just loved watching Marilyn Monroe and Greta Garbo. In all of those old movies from the '40s and '50s, women put themselves together so well, with a little bit of drama and elegance. ...
When I produce a movie - and I've produced a number of movies, unlike Arnold - yes, I'm frustrated when the union says you can't do this, you can't work past that hour, you've got to break for lunch. But ultimately, they're right. What they do is for...
When I do stand-up for a long time, I'll get burned out, then I'll get an acting gig. For me, the grass is always greener. I'd like to do a mixture of all of it. My goal is just to do small movies that I've written. That's what I'm trying to do now, ...
Annie Hall: So you wanna go into the movie or what? Alvy Singer: No, I can't go into a movie that's already started, because I'm anal. Annie Hall: That's a polite word for what you are.
With the first 'Hatchet,' I had an epic battle with the ratings board. They kept giving the movie an NC-17. There is absolutely no way that movie should have gotten an NC-17. All the gore in it is so ridiculous and over-the-top that you can't take it...
Actually shooting a 3-D movie is not different at all than making a 2-D one. You never really notice that you're making a 3-D movie. The terminology used around the set is a little bit different, but other than that, you'd never know.
I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again. I don't care what people think of me as a person, but I do care what people t...
My best experiences with movies have come when I didn't know what to see.
The first few weeks of school were always surreal, like you landed on an alien planet with strange teachers and unfamiliar classrooms, even though the lockers and cafeteria seemed familiar.
The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task i...
Dell had left the army and taken the discipline home with him. I’d left the theatre world and taken the whisky sodas home with me.
Good actors, including political actors, do not deal in unrealities. Rather, they create realities that matter – perceptions, aspirations, allegiances.
I like this other world, this forgetting of myself. The actor works in order to escape, not to find himself. You become an actor by leaving yourself, and then you have to keep acting. How tragic!
The of learning. It's the same when you approach any new skill or technique, from a dance step to driving a car. The effort of learning stops you, at first, from doing it well.
This is a familiar syndrome. There is a stage with every drawing or painting when it looks banal and clumsy. It's worth pushing through that, working through the cliché to find out what made it a cliché in the first place.
