I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these peop...
There are a lot of actors that I really love to watch, actors who I have fun watching - I think Johnny Depp is phenomenal. But I wouldn't want that career as much as I'd like a career like Tom Hanks - he kind of represents the everyman.
I have been portrayed by actors in three television documentaries, two plays, one musical and a film. It's no fun watching yourself being traduced and imitated by an actor.
My primary instinct as an actor is not the big transformation. It's thrilling if a performer can do that well, but that's not me. Often with actors, it's a case of witnessing a big party piece but wondering afterwards, where's the substance?
Some film actors want to sit back and look at every scene and all that crap. No, you're an actor - tell the story, and when it's told, there's another one to tell.
Plays are frequently infected with ideas that came from actors or even sound engineers. Some Shakespeare scholars wonder whether some of the Bard's lines came from onstage improvisations by actors.
That's why I don't understand why actors become arrogant and are completely unapproachable - because as an actor, the most valuable thing you can do is talk to people and hear their stories, because it'll all come in handy.
I did a couple comedies to balance myself as an actor and balance how audiences see Donnie Yen as an actor, and I would even say as a celebrity or icon, to some fans. I want to show that I'm not Terminator.
I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'
The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor.
As an actor, you're supposed to take jobs that will challenge you or force fans to see you in a different light. By the '90s, I wasn't really an actor anymore. I was someone who went on the road with these gigantic concerts.
I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.
And costume is so important for an actor. It absolutely helps to get into character; it's the closest thing to you, it touches you. Some actors like to go into make-up and then put their clothes on, but I like to dress first; that's my routine.
I generally get challenged; I haven't been typecast, which is really, really, nice. It's not something that every actor gets, really. It's luxury. Most actors are capable of it, but they aren't afforded the opportunity to express their variety.
To be an actor for 30-odd years trying to become recognized, and to end up playing a full prosthetic and a character 3 foot 9', or something like that, is... well, it just shows that you can get actors to do anything.
I'm a little less hungry as an actor than I used to be. When you're a director, you're the conductor of the orchestra, and when you're an actor, you're playing the violin. There's a thrill to each of them, but as the conductor, you get the fuller sou...
Well, acting is cheap; I knew all these actors who weren't in the Screen Actors Guild yet, and it happened that they were all just about thirty years old.
A lot of actors never talk to other actors about how they're doing things, or why. I think it's important to share the way you're thinking.
I've always been a bit of an orphan, because actors say, 'Well, he's more of a dancer.' And dancers say, 'No. He's really a singer.' And singers say, 'No. He's an actor.'
You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.
You see, in America, it's quite standard for an actor to sign, at the beginning of a series, for five or seven years. The maximum any British agent will allow you to have over an actor is three years.
