Studios have been trying to get rid of the actor for a long time and now they can do it. They got animation. NO more actor, although for now they still have to borrow a voice or two. Anyway, I find it abhorrent.
I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
I love working with the same actors repeatedly. That happens a lot. It's kind of inevitable, especially if you work with the same writers and directors and you start to form a company of actors. You gravitate towards each other.
I believe singing should be like being an actor. People shouldn't have any problem buying an actor being in a comedy or a drama or a horror film. That should be the same way with music.
I don't do stunts and I don't think many actors do. For an actor to say they do their own stunts I don't think is very respectful of the profession of stunt men and women.
You can't worry too much about profile; otherwise, you become a different kind of actor, and that's not the kind of actor I want to be.
Often you get wonderful singers who maybe aren't as strong as actors, or you get wonderful actors who can't sing very well.
People want their actors to do comedy, too. They don't want any comedians next to the actor. They want one solo hero and want to see everything in him.
I like actors who, when you see them on screen, you sense a person, not just an actor.
I wanted really to make it moment to moment, partly because I'm an actor and that's how I operate - actors are all about creating the moment.
I think every leading man wants to be a character actor, and every character actor wants to be a leading man.
I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
And I have been able to establish this sort of decent reputation as being a decent character actor.
It's the persona that makes you a leading actor. A leading actor has something extra that's fun to watch. But it isn't usually about acting.
The more that I can work in different mediums, the more I can grow, and learn from different actors and different types of actors and directors and different styles of acting and build a tool box.
Here in America, every single actor, since they were little boys, they sing and dance and perform like angels. We don't do that. We are actors who work in a theater in very classic performances or plays.
I want to abolish tags like 'comeback' and 'retirement' that are used to define every married female actor. What is the big deal? In Hollywood, every top actor takes a break, has children, and gets back to work.
As a Japanese actor, I really want to work with a lot of actors and actresses in the world and many directors who have many different kinds of talents. I feel like nationally doesn't matter at all.
I'm foremost an actor. I feel embarrassed being compared to the guys who really work at it. I fake it, I make believe I know all about it, which is what you're supposed to do as an actor.
I'm still waiting to hit it big. But there was the moment when I didn't have to work at the restaurant anymore, which is the milestone for every actor. When your job is just to be an actor and not to have to do anything else.
