I cannot help fearing that men may reach a point where they look on every new theory as a danger, every innovation as a toilsome trouble, every social advance as a first step toward revolution, and that they may absolutely refuse to move at all.
My mom has an English accent, so we always referred to the trunk as the 'boot.' And then, suddenly, we moved to Georgia and I would say things like 'open the boot' with a bit of an accent, and I quickly realized I had to adapt; that kind of thing wil...
When I was a kid, my mom used to run the vacuum cleaner, and the noise would bother me so much that I would run into the woods to calm down. I feel like that vacuum cleaner has been on since I moved to New York City.
I'd like to do more TV; TV is completely different than working in movies in a lot of ways, it's like making a really compact movie. Because you don't have as much time, especially hour long shows, they move so quickly.
I moved to California when I was twelve and I got a video camera and made little movies because I didn't have any friends yet. I would force my sister to make these movies with me - which became my YouTube channel.
I have three kids who like Harry Potter so I was sort of aware of it. You can't really move from it: it's on buses, in stores, it's everywhere. One of my kids has read the books; the other two are too small but they like the movies.
I want to do movies that I'm proud of where my kids, at some point, can see and I can feel comfortable sitting there watching it with them. And just that move people. That make people feel a little bit better about themselves when they leave the thea...
Captain of Louisa: By the authority granted to me by his Imperial Majestey Kaiser Wilhelm the Second I pronounce you man and wife - proceed with the execution.
Elwood: [deleted scene] Boss, I need to tell you that I gotta quit. Elwood's Boss: Why Elwood? Elwood: I'm going to become a priest.
Barton: I don't like to discuss Works in Progress. If I let the words tumble out prematurely, it changes it, and I may never get it back.
Mag Wildwood: You know what's gonna happen to you? I am gonna march you over to the zoo and feed you to the yak.
In Hollywood you always feel a bit like a hake. The publicists march people up and down in front of you and they interview you... You feel like the turbot and the sea-bream go by, and you're the hake.
Once I moved to L.A., there was a dark moment of trying to keep up with the girls I thought were pretty. Until I realised that's the stupidest thing you can do because people are so pretty in L.A.!
Big fund companies have many ways to increase the returns of young funds that they want to promote. And at least one of those games involves popular offerings.
The throttles could only move very, very slowly, always watching the temperature, always watching. And even in throttling back, you could bust it, even being very careful.
Once the object has been constructed, I have a tendency to discover in it, transformed and displaced, images, impressions, facts which have deeply moved me.
It's very unusual on 'Game of Thrones' for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, 'Hey, we don't need this scene.'
I guess I'm fascinated with motion because I find that whenever anything is moving, I have some feeling about it. It doesn't matter what kind of motion it is. A motion will always evoke some kind of reaction.
I went to a public high school with a magnet program for law and psychology. But right before my junior year, I decided that I wanted to leave and become an actress, so I graduated early and moved out to L.A.
When it comes to achieving, what matters is you to know, what you really want and make up your mind to believe in your own efforts that you will achieve and you will make it with ease.
My ideal audience is on the young side, eager to mutate and move to a higher level of consciousness. I want my images to turn the viewer's brain into what it is: a flying carpet.
