We are just at the studio, me and my choreographers, we are spending like 30 nights and we are thinking, what is my next dance move? Because in Korea there are huge expectations about my dancing. So it was a lot of pressure.
I tend to look at things from the supply side, looking for ways to make it less expensive to do more production. I think that's what creates a demand and keeps an economy moving.
I admire people who have that integrity, who know how to peacefully move through a situation - and it's reflected in how they deal with things like loss.
It's the texture of New York that people miss by filming elsewhere. There are layers and layers of character - even in the pavement - that you can't get anywhere else. And the speed that the people move. It's so different from other places.
At bottom, the decision to pardon Nixon was a political judgment properly within the bounds of Ford's constitutional authority. The specter of a former president in the criminal dock as our country moved into its bicentennial year was profoundly dist...
That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.
I come to urge my party to be open to debate and discussion; to move away from a lock-step litmus test which advocates abortion on demand in an effort to reach a broader national consensus.
I moved further and further away from mass entertainment. The sexual element became increasingly sinister and bizarre. Don't blame me! The bastards drove me to it! They all backed off after that!
I feel every shot, every camera move, every frame, and the way you frame something and the choice of lens, I see all those things are really important on every shot.
There's nothing worse than an ostentatious shot. Or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something.
I shall be as brief as I can, for it is not by piling up detail that I hope to achieve my picture, but by putting the emphasis where I think it belongs.
Therefore, the question is not whether such democratization is possible, but instead how to meet the yearning of the masses in the Middle East for democracy; in other words, how to achieve democratization in the Middle East.
I did a couple of films, I was very lucky at the beginning of my career... and then, I never had another job here for ten years probably and I moved to Europe.
In addition, we were unable to meet openly to discuss the progress of the book, for we were both on the list of persons banned from communicating with other banned persons.
The fashion world is much more ephemeral than the film industry and moves at a faster pace, and it's got even more frenetic since the Nineties; more paparazzi hanging about and it seems to me there are even more fashion magazines.
'Empty Moves' is elegantly and coolly inventive. Two pairs of dancers shadow each other in slow, deliberate rearrangements and manipulations of legs and torsos, only occasionally switching partners or breaking free of the formal patterning.
I find Suez astonishing for the first hour. It is a ditch in a desert, but a stunning one. The sensation of being hemmed in by huge ships, moving at a stately pace through a man-made waterway, is extraordinary.
This is the real problem feminism faces. Too many people are willfully ignorant about what the word means and what the movement aims to achieve.
I always wanted to entertain. When I was six, a scrawny, scrawny kid, I'd get in my red speedo and do muscle moves. I actually thought I was muscular. I didn't know everyone was laughing at me.
Hate is never an option for a truth seeker. It binds, stifles, constipates and causes the gears of philosophical progress to come to a grinding halt. From Fillossofee: Messages From a Grandfather - an ebook
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
