The last thing I want is for people to go through the motions in life. We're all meant to do different things, but there's a lot of opportunity for us to do some great things.
The reason that some motion-capture films don't work is if the scripts are not good, and the characters aren't engaging, then you don't believe in the journey, and you're not connected to it. It's not the technology's fault.
Our robots are signing up for online learning. After decades of attempts to program robots to perform complex tasks like flying helicopters or surgical suturing, the new approach is based on observing and recording the motions of human experts as the...
I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing.
I'm meant to be an animation director. That world, and the culture of stop-motion, is where I want to live. It's more my problem than Hollywood's. I'm not attuned to Hollywood.
Maxim 2: A sergeant in motion outranks a lieutenant who doesn't know what's going on. -The Seventy Maxims of Maximally Effective Mercenaries
A movement is only composed of people moving. To feel its warmth and motion around us is the end as well as the means.
But we have reason to think that the annihilation of work is no less a physical impossibility than its creation, that is, than perpetual motion.
No part of the human community can live entirely on its own planet, with its own laws of motion and cut off from the rest of humanity.
One really beautiful wrist motion, that is synchronised with your head and heart, and you have it. It looks as if it were born in a minute.
A moving body whose motion was not retarded by any resisting force would continue to move to all eternity.
The existing system will be quickest and most radically overthrown by the annihilation of its exponents. Therefore, massacres of the enemies of the people must be set in motion.
People can't change. We're pre-programmed robots going through the motions. We're the same at death as we are at birth.
The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.
I have an ElliptiGO. It's a standup bicycle. You don't pedal; you stride on it. It allows me to have the same striding motion as running without the impact.
Jason: I'm bored with sitting around. I'm a dramatic character. I need forward motion.
Dutch: [lying on the ground after being hit by Predator shoulder cannon, he motions to Anna] Run! Get to the chopper!
This is just what I have thought when I have seen slaves at work - they seem to go through the motions of labor without putting strength into them. They keep their powers in reserve for their own use at night, perhaps.
I remember feeling that technology was like trying to draw with your foot. In a ski boot. It was the most indirect way to work imaginable, but the potential had us all excited. I started in stop motion.
There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over.
Dance has always just been an extension of music for me. It's about putting my music into motion. It's just another dimension that I tap into with my music that not many artists do anymore.
