I have accomplished a lot, but it didn't happen overnight for me. I was 35 when I got the show, and had been working professionally for 15 years. It would be a lot weirder if I were in my early 20s and stumbled into it.
The task which we have set ourselves is simply to show why and for what purpose we hold that standpoint during most of our lives, and why and for what purpose we are provisionally obliged to abandon it.
I think we all have this image that we're going to be the hold-out and show what 51 really looks like, but I could wake up tomorrow and say, 'Okay, enough of this.'
The only reason I'm writing this down is to show how human reason, even very sharp and exact human reason, can get crazily confused and thrown off the track.
A great thing is happening on cable TV. You see characters change in stories over years, like in Tolstoy. That's a whole, thrilling new form that I really enjoy. They are Tolstoy-an in their endless character development and narrative changes... a sh...
An artist is an artist only because of his exquisite sense of beauty, a sense which shows him intoxicating pleasures, but which at the same time implies and contains an equally exquisite sense of all deformities and all disproportion.
I'll tell you one thing, in what I do for a living, there's no substitute for experience. I don't care how much natural talent you may have... In the type of show I do, you can depend on surprises.
So the history of discovery, particularly cosmic discovery, but discovery in general, scientific discovery, is one where at any given moment, there's a frontier. And there tends to be an urge for people, especially religious people, to assert that ac...
The men were all scumbags, but the whole point of the film is to show the development of that. Each guy is going in there to have a good time. By and large, these men are career men, family men, and you just see the deterioration of them.
My temperament is not the adventuresome sort that enjoys starting new projects every six months. I love ensemble, nine-to-five stability. There's a family dynamic in making a television show that you don't get on a movie, where you're a hired gun for...
My first big one-person show was basically a combination of my family, me during puberty, embarrassing newspaper articles that were written about me in high school, my first modeling photos, and terrible things that people said about me on the Intern...
I've learned through experience that you can't ever predict what's going to happen with any show. When I signed on to 'Ugly Betty,' I just prayed that I wouldn't get fired after the pilot, and four years later, I was still doing it.
I had some experience when I joined 'The Sopranos' in the last season. My character married Christopher, and everyone loved Adriana. I knew what it was like to join a very beloved, secretive show and following a very iconic character.
'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that...
Experience taught me that working families are often just one pay check away from economic disaster. And it showed me first-hand the importance of every family having access to good health care.
All I've been a part of has been thanks to the Disney company: the job, experience, travel, opportunities have come thanks to Disney. Working for Disney was not part of my original plan, but it was part of God's, and it shows that God is still moving...
I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.
Every 'Oprah Winfrey Show' has about it the aura of Oprah's own life, just as the rituals and sacraments of a religion are suffused with the life of the religion's founder. Above the testimony of Oprah's guests hovers what viewers know about Oprah's ...
In writing literary fiction, you are trying to help yourself. And readers are going to literary fiction not just to be entertained, but because they feel something else will happen; that the experience will take them beyond themselves and show them s...
There's very little you could do to prepare to be a correspondent on 'The Daily Show,' because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience....
Even when I was at 'SNL,' I didn't do impersonations. I always wanted to be the kind of person who could do them - I always thought they were the coolest thing on the show - but I didn't have any experience.
