Taking a comic strip character is very hard to write. Because comics are meant to work in one page, to work in frames with minimalistic dialogue. And a lot of it is left to the imagination of the reader. To do that in film, you've got to be a little ...
I was kind of a cross between Kristy and Mary Anne among 'The Baby-Sitters Club' characters. I was shy, but I was also kind of a tomboy, and I was really good at sticking my foot in my mouth even though I was shy.
All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.
When you say the name Gilligan, you know who that is. If a show is good, if it's written well, you should be able to erase the names of the characters saying the lines and still be able to know who said it. If you can't do that, the show will fail.
If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.
No matter how full a reservoir of maxims one may possess, and no matter how good one's sentiments may be, if one has not taken advantage of every concrete opportunity to act, one's character may remain entirely unaffected for the better.
Clearly, Simon Baz brings such a different viewpoint to 'Green Lantern.' The very nature of the corps concept of overcoming fear, I felt Simon was a great character to explore, while getting a different viewpoint on things.
I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I ...
When I was starting out, I thought I would go into comedy and there would be a mentor, like the Philip Seymour Hoffman character in 'Almost Famous,' in my life, and there just wasn't. It was really frustrating for me because I desired that so much.
The excitement for me lies not so much in interviewing the hard-to-get famous person, but the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you're realizing how great they are.
Our goal at Home Theater Films is to inspire and entertain our audience. We want to make great movies that everyone can enjoy and elevate them with contemporary, relatable characters that naturally demonstrate their faith in real world situations.
I can count all the ways in which being a mother has enriched my understanding of the world, of character, my sense of the future and my attachment to it. I can't imagine what kind of writer I'd be if I didn't have my kids.
Character robotics could plant the seed for robots that actually have empathy. So, if they achieve human level intelligence or, quite possibly, greater than human levels of intelligence, this could be the seeds of hope for our future.
Of course I consider myself a Jewish writer - I am one! All of the protagonists in my five books have been Jewish, and I wouldn't be surprised if all my future main characters were as well.
No matter how troubled a character's history, romance novels tell us, love can be built upon it, and happily-ever-after can result. What's more, the darker the past, the brighter the future - and the better the read.
Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.
I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.
I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
Normally, we see characters that have God complexes. How interesting, I thought, it would be to capitalize on that. And say, OK, well fine, you have a God complex, well this person has a Satan complex. And the doctor chooses to treat him scientifical...
However dark and profitless, however painful and weary, existence may have become, life is not done, and our Christian character is not won, so long as God has anything left for us to suffer, or anything left for us to do.
God is a character, a real and consistent being, or He is nothing. If God did a miracle He would deny His own nature and the universe would simply blow up, vanish, become nothing.
