As a consequence of these hesitations and of the vague character of such innovations, the Commission on Human Rights itself had doubts from the beginning about its role and its functions in general.
The implementation measures of both Covenants, but especially those of the Covenant concerning civil and political rights, were considerably weakened to the point where they assumed an optional character.
Each performance and each film is what it is. It's right and belongs within that moment. You look at it and try to make it fit your particular part of your character and your particular film.
Oh, that character was light years away from me. I'm not debonair. I'm not suave. I did wear tight pants, though, because I found out that it worked.
Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
Well, I believe in the idea of 'normal' in the way that I believe in the idea of logic. Or the idea of character. All of these ethical constructs are just that: constructs.
I haven't scoured Dixie out of my voice. But I don't think that the books that I have written... have really in any way been Southern in character.
I read mostly science-fiction and fantasy when I was a teenager, and I was always drawn to stories where the characters had telepathic powers.
I just have my own taste, and I just try and stick with that. I'm just trying to play as many characters as I can for as long as I have an opportunity to.
Life is a book that someone else is reading—and you, a key character—hence the need for continual conflict and resolution. We can't have any boring books.
When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
With writing fiction, I'm either not courageous enough or just not suited for telling truths in a more conventional way. As an actor, I inhabit those characters as I'm writing them.
'Deadwood' was just a wonderful opportunity for me. Outside of my own things that I've written, I hadn't had the opportunity to play a character with that amount of depth and range.
I actually then went on to direct an after-school special where one of the characters was deaf. They hired me without even knowing I had any connection to the community.
The psychoanalysis of neurotics has taught us to recognize the intimate connection between wetting the bed and the character trait of ambition.
Life is a test. A test of Character and Strength, experience is our study guide... so remember what you learn and more importantly-apply it.
Movement is very important to a character, no matter what period you're working in. So when it came to playing Emma Jung and lacing up in the corset, it was really not a foreign thing for me.
Movie characters rarely get to think out loud or talk very much about their emotions. Instead they have to, very briefly, show their feelings through their action or through dialog.
The severest test of character is not so much the ability to keep a secret as it is, when the secret is finally out, to refrain from disclosing that you knew it all along.
For me, acting comes straight from the heart. In that sense I don't act at all. I think that to feel the character's pain I have to be myself. Somewhere audiences see that.
