What you wear can be such an indicator of so many things. You know, how you feel, how you want others to perceive you. So, that is an absolutely essential part of building a character.
They didn't accept me theory - not a theory, but just a thought I had about this character. I noticed that this man only exists when the boy comes into the grocery.
This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.
There are so many characters whizzing around inside my head, it's like Looney Tunes. But as soon as I've finished writing about them, I completely forget who they are.
A man should never be judged by his skill, talent, colour, financial or political status, facial beauty and level of education but by the quality of his character.
When you're writing first person, all I can see and tell as the author is what that main character can see.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
I've found that he way a person feels about cats-and the way they feel about him or her in return-is usually an excellent gauge by which to measure a person's character
I always would be happy to make a character even more unlikable, but you know, there's a limit and if you go there, you get into a very different kind of movie, man.
I'm a filmmaker, and I was most influenced by Hitchcock's films. How he could plant such deep enriched characters and then make us care both about the antagonist and protagonist was masterful.
Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
Acting is about covering up traces of who you are and just being the character. I think it's easier to accept people in roles if you don't know a lot about them.
Your job as a writer is to find storylines, narrative structures, and characters to show the things that you believe rather than saying them or telling them.
I must point out - Sarah Jessica Parker is not a diva - she's one of these pop culture characters that everybody likes.
I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
Often you find the character through the things they say. How they talk about other people, how they describe themselves - which is very rare.
You can spend a bit of yourself when you give yourself to a character. At the end of a job, you have to remind yourself who and what you are.
You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
When I was doing Bean more than I've done him in the last few years, I did strange things - like appearing on chat shows in character as Mr. Bean.
Firmness in enduring and exertion is a character I always wish to possess. I have always despised the whining yelp of complaint and cowardly resolve.
