And, these Islamic fundamentalists, these radical terrorists, these Middle Eastern monsters are committed to destroying the Jewish nation, driving her into the Mediterranean, conquering the world.
It's technically demanding to shoot in 3-D. It's an extra element. Also, just the size of the cameras. They look like these 'Transformers' monsters; they are incredibly big, many of them.
Truman Capote: If I leave here without understanding you, the world will see you as a monster. Always. And I don't want that.
Little Maria: See how mine floats. [the Monster picks her up] Little Maria: No, you're hurting me! No!
Sulley: Are there kids in that village? Yeti: Oh, sure. Tough kids, sissy kids, kids who climb on rocks...
Mike: [chanting] I don't know, but it's been said, I love scaring kids in bed!
Sulley: What was that? Mike Wazowski: I have no idea. But it would be a really good idea if it didn't do it again.
Randall: I'm in the zone today, Sullivan. I'm gonna do some serious scaring, putting up some big numbers.
[running from Randall in the door vault, Sulley and Mike's shadows appear behind a Japanese paper screen] Mike: Come on, it slides, it slides!
Dae-su Oh: Even though I'm no more than a monster - don't I, too, have the right to live?
[as monster runs out the door] The Blindman: Wait. Where are you going? I was going to make Espresso.
I haven't turned into some rich monster. I've kept my perspective. But I am a bit spoiled. It's hard not to be a little spoiled by having a lot of money.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
But other vampire stories? Well, no, I really haven't read too many, and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.
But someone like Claude Chabrol tries to make a connection between the society in which we live and the social reasons which make monsters out of some people.
Country was about character. Country's changed because of monsters like Clear Channel who bought up all the stations and sliced them up into formats. Our demographic is now the soccer mom.
Dilios: Xerxes dispatches his monsters from half the world away. They're clumsy beasts, and the piled Persian dead are slippery.
Mary Shelley: It's a perfect night for mystery and horror. The air itself is filled with monsters.
I'm quite interested in the absolute roots of narrative, why we tell stories at all: where the monsters come from.
I write about the scariest monsters: The ones inside us all. And the ones that want to eat what is inside us all.
I'm less of a 'Star Wars' fan, with googley monsters, than actually how do we bend this reality out, and how many other realities exist?
