Obviously, CGI in the last ten years has gone through such leaps and bounds that today, people are looking for these kinds of movies to wow audiences with technology.
The more technology we introduce into society, the more people will aggregate, will want to be with other people: movies, rock concerts, shopping.
If you want to keep on being relevant as a director, I think you have to embrace the times. And with the times come technologies and formats.
When the Constitution was written, the founders had no way of anticipating the new technologies that would evolve in the coming centuries.
To speak of television as 'neutral' and therefore subject to change is as absurd as speaking of the reform of a technology such as guns.
The reason for the sadness of this modern age and the men who live in it is that it looks for the truth in everything and finds it.
The wonderful thing about modern medicine is that so many of these complaints that used to signify old age and decline can be coped with.
Progressive policies implemented since the early 1900s launched America into the modern age and created a vibrant middle class.
In our modern age - in the age of free information - I don't think there is any place for dictatorships.
Most poetry in the modern age has retreated to the private sphere, turning its back on the political realm.
In my experience, if you have to keep the lavatory door shut by extending your left leg, it's modern architecture.
Rome has not seen a modern building in more than half a century. It is a city frozen in time.
Indeed, artists, particularly modern artists, have intentionally limited the scope and vocabulary of their expression to convey, as Mark Rothko and Ad Reinhardt do, the most essential, even spiritual, ideas of their art.
That's something lacking in a lot of modern-day families - just talking. It's almost a lost art form.
To expect the unexpected shows a thoroughly modern intellect.
World needs a new order of modern economy.
Charles McCarry is the best modern writer on the subject of intrigue - by the breadth of Alan Furst, by the fathom of Eric Ambler, by any measure.
What interests me, and has always interested me, has been modernism.
Modern American magic, late 20th century magic, is tremendously disrespectful of the audience.
Not much was really invented during the Renaissance, if you don't count modern civilization.
We are similar to a museum. My function is to present old masterpieces in modern frames.
