One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
If people stop being interested, it's because you haven't written a good enough album. Music will always be the most powerful thing. It doesn't matter what record labels or journalists say. It's the song.
Although I don't come from a musical background, I was given piano lessons along with my sisters, but I wasn't what you would call a good student. I tended to write songs rather than do scales.
A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
I feel that the critic and music director should have such a good relationship they can pick up the phone and call each other any time.
We have seen the damage already caused to the music industry and we have to continue to make the public and government bodies globally aware of the damage that will happen if DVD piracy is not brought under control.
Prosecutors say it would be next to impossible to get one teen to testify in court that another had slipped him or her a copied disc at lunchtime. And besides, isn't sharing music a time-honored part of teen friendship?
If you do things, whether it's acting or music or painting, do it without fear - that's my philosophy. Because nobody can arrest you and put you in jail if you paint badly, so there's nothing to lose.
I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.
I'm a sucker for any band named after a work of literature. Los de Abajo take their name from Mariano Azuela's famous novel 'The Underdogs,' and that says a lot about who they are and the music they make.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
I'm doing a new musical on Broadway, which opens in October called 'The Boy from Oz,' where I play Peter Allen. For those of you who don't know, he became first famous in America for marrying Liza Minelli.
I would be a huge hypocrite if I didn't tell you that at one time in my life I thought the way that you made music was you got on a major label and you got famous.
For me, it's never been about being famous. I just want to be a successful singer. I wanna work hard... If I'm in the papers, grace, but I want to be there for the right reasons - for my music.
Those who have always had faith in its final success can do no less than rejoice as if it was our own triumph after five years of daily struggle to impose Cuban music on the European continent.
I had to learn my faith and look after my family, and I had to make priorities. But now I've done it all and there's a little space for me to fill in the universe of music again.
Music helped me to get out of a rough period in my life when I really struggled to see any future for myself and was terrified about what was happening to the people around me.
And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.
I don't know why the guys with the big money don't find five terrific young producers and give each of them enough to commission a musical and to live on for a year. You'd be likely to get at least one project with a future.
I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.
I've always loved the blues, ever since I was a kid. It has a depth to it that a lot of contemporary music doesn't have. It has pain and suffering in it, but funny stories, too. And it is built on storytelling, which is something I really love.
