I like to think that my works flow like music. That may be one reason I work in large groups versus one picture of one thing; it's the flow of the whole series that counts.
So when you enjoy the beats, the rock music - maybe even toned down with an orchestra - you are enjoying the spirit of the black race. And that's what I emphasize to the students.
I know that the nice shines I have on is going to pass. The nice cars will pass. All that will stay is the music and the work. That's where I get the inspiration to help people out and work.
You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process. You're the artist - you make the music that you want to make.
I come from a place, with all due respect, who's never had a music star in hip-hop. So the odds is already against me.
I didn't have a philosophical understanding of music until I came to New York. I didn't understand how it applied to my kind and my generation. I thought it was just old people talking.
The majority of the high schools and the public schools in N.Y.C. don't even have band programs. Hip-hop in a lot of ways is an outgrowth of a lack of instruments and a desire to play music, so we can't really fault the kids for that.
My music is very innovative, in a class by itself. Nobody else is saying anything of value. What I'm trying to do is get people to think, to alter their consciousness. It's not your typical platinum formula for success.
I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more.
It's easy for me to care about Toronto, because Toronto is a community that cares about itself. It represents the world. It talks to itself, and because it does, it figures out that there must be a music garden as part of its existence.
My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.
Hebrew is my first language, so it's really the most personal and the most simple. When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
My first album was full of ideas and attempts to go in all kinds of directions. I was young. I loved making music, but I didn't have a clear path. I also lacked in confidence.
I think that Sufism fits all over the world. The concept is not anything that fits standard Western ideas - it's always related to culture, to music, to religion. It is a dominant religion in Senegal.
Nothing is written in stone. So don't prepare yourself for a long and lucrative career. You might die tomorrow. Your gold holdings might become dust. Just make the music you want to make now and enjoy it.
I rented a house, recorded the stuff in a house. Just took my time 'cuz sometimes it's just rush, rush, rush. I just wanna live and play music.
Everything, I just wanted to be like my father. And, as I grew within the music, I kind of became myself which was even more like my father, only without me trying though.
Even if I wasn't in music, even if my father was a carpenter, some guy in Jamaica would go 'You're just like Bob. You're just like your father.' That happens in Jamaica all the time.
'Watchmen' is like the music you feel is written just for you. 'That's my song, no one else gets that but me.' That's why the fan base is so rabid, because they feel personal about it.
'Punk rock' is a word used by dilettantes and heartless manipulators about music that takes up the energies, the bodies, the hearts, the souls, the time and the minds of young men who give everything they have to it.
Usually, whenever my mom would come over I would try and put on music that I thought she would like just to make her feel more at ease.
