I don't like Paris so much, and it's only eight shows. I mean, don't tell them that, of course. But everyone always thinks they're so important. And I'm sure they are. But to me, my happiness is more important.
There's always a sense of tragedy with icons. It happened to both the Princess of Wales and Diana Dors. A lot of people had grown up with them, and everybody loved them. Then, when they had at last found happiness, they were taken in the most dreadfu...
So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.
I don't get a sense of American pride. I just get a sense that everyone is here, battling the same thing - that around the world everybody's after the same thing, just some minor piece of happiness each day.
I don't have to take a trip around the world or be on a yacht in the Mediterranean to have happiness. I can find it in the little things, like looking out into my backyard and seeing deer in the fields.
There are people who fly to the height of stardom in a single day, and then there are people like me. I used to have this ridiculous idea that I absolutely had to be a big, big movie star. Now all I'm after is happiness.
I say to my children, the reason that marriage - and having children - is so important is that it stops you thinking about yourself. The way to happiness is to give yourself to others and to think of others before you think of yourself.
I have a cousin who is a spiritual advisor for Native veterans in Canada, so I'm very familiar with the history of Natives in the military. And growing up as an American Indian myself, the story of Ira Hayes is one that is often told.
I go to the Natural History Museum and look at the cage of stuffed starlings there. But my favourite thing is the big blue whale. The scale of it is unbelievable, and makes you feel how insignificant you are as a human being.
We all had to learn Southern accents. It wasn't a big research show. With the 'Wounded Knee' project, I locked myself in my apartment with history books so I would know what we're talking about.
When one nation is at war with another nation, the political machine does everything it can to vilify the people of the other nation, so it makes it easier to kill them. Which is understandable and it's happened this way throughout history.
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout t...
I'm really excited to be a part of it and sharing the legacy, any documentary I look up at the sky and Kevin Burns did and Bryan did and showed me again you know the history that's in this character and you know.
We take it for granted sometimes that certain parts of our history are told, and we take it for granted that we know all that stuff, and we move forward along on that basis, but there are also massive gaps, and we have to try to address them.
History tends to take the simplest possible view. As soon as you start to scratch the surface of any historical event, it starts to become more and more complicated, which is not the stuff of Hollywood films. Complications tend to break down the budg...
I think you're going to find out that westerns will be coming back. It's Americana, it's part of our history, the cowboy, the cattle drive, the sheriff, the fight for law, order and justice. Justice will always prevail as far as I'm concerned.
I kind of have an interest in all history. And I suspect it comes from being Irish - we like stories, we like telling stories, which makes a lot of us lean towards being writers or actors or directors.
Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.
We have to start processing what we're really made of in America. American character is not dead. American integrity and honesty are not dead. When we're backed up against the wall against the largest corporations in the history of corporations, it's...
When I was in New York after I left the Army, I studied for two years at the American Theater Wing, studied acting, which involved dance and fencing and speech classes and history of theater, all that.
