I was raised in a fishing village in the middle of the desert. I sold hellos and goodbyes just to get by.
If you’re a struggling artist having money problems just superglue a brick in the middle of a blanket, and call it art. Someone will buy it.
I felt very still and empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo.
Juniper: Are you guys busy? Percy: Well, we’re in the middle of this game against a bunch of monsters and we’re trying not to die. Annabeth: We’re not busy.
I once heard that contractions are like this: a belt around your middle that is tightened agonizingly in ever elongating instances that arrange themselves in a pattern of pain.
It's so difficult, isn't it? To see what's going on when you're in the absolute middle of something? It's only with hindsight we can see things for what they are.
A brick could be used as a middle name. But who’d be dumb enough to do that, when it would clearly make a better first name?
It’s odd to suddenly discover you’re happy right in the middle of a moment. Usually, you don’t recognize happiness until it’s over and you’re looking back on it.
Here you do have forests, where pigs could be raised by letting them root about in the forests for a good part of the year. Therefore, you have a different attitude toward them compared with what continues to exist in the Middle East.
None of my own experiences ever finds its way into my work. However, the stages of my life - motherhood, middle age, etc. - often influence my subject matter.
In 'The Big Chill,' those characters are in middle age, thinking, 'Oh, God, I've turned into my parents. I've failed.' And in 'Beside Still Waters,' we're showing the struggles of people who actually want to be like their parents and feel they can't ...
I had this desire to see the world. I couldn't see any of it, but I saw it in my imagination, and that's why I always read books, and I could go to Mars or Middle Earth or the Hyborian age.
'Death at an Early Age' was about racial segregation in Boston. 'Illiterate America' was about grownups who can't read. 'Rachel and Her Children' was about people who were homeless in the middle of Manhattan.
Under the Assads, Kurds were forbidden from learning their own language at school, or even from speaking it in the military. The result is a generation of Syrian Kurds, many now in late middle age, who can't write their own language.
I can feel middle age approaching, but I reckon the trick is to ignore all the signs. I'm lucky in that I've always looked half the age I am. So the way I see it is that I'm still in my twenties!
The harsh reality is that if you are middle-aged, write computer code for a living, and earn a six-figure salary, you're headed for the unemployment lines. Your market value declines as you age, and it becomes harder and harder to get a job.
Brain power improves by brain use, just as our bodily strength grows with exercise. And there is no doubt that a large proportion of the female population, from school days to late middle age, now have very complicated lives indeed.
Just as the blurring between childhood and adulthood has produced the kidult, so the stretching of middle into old age has fostered another peculiar chimera: septuagenarians with apoptosis sporting the depeche mode.
I'm stuck somewhere a small island in the middle of the Atlantic where I'm alone. Because in France, they're like, 'No, you're not like us, you're not a French guy.' And in America, they're like, 'You're not like us.' I'm really alone in my little th...
I don't think I am that materialistic, actually. Obviously at home in the country the art collection is important, but we have one big room in the middle of the house where we do everything - the television, the kitchen, everything.
I had always said to myself that forty was the cut off point of my apprenticeship which may for some people sound like a very long one, but the novel as art is a middle-aged art.
