I don't go along with going to Moon first to build a launch pad to go to Mars. We should go to Mars from Earth orbit. We have already been to the Moon; we've already practiced.
When a man looks across a street, sees a pretty girl, and waves at her, that's not a rendezvous, that's a passing acquaintance. When he walks across the street and nibbles on her ear, that's a rendezvous!
Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
I don't hide my being Israeli. I say it in every interview. I put out a record with songs in Hebrew. The people who signed me have no connection to Judaism or Israel.
Reddit strives to be a community-oriented link-sharing and news site, which means that all our content is submitted and voted on by members of our community. We don't interfere with that process at all, either in an editorial or curation capacity.
When we were in Sweden, there was a fan that hid in a bin. I think one of the security guards saw and tried to take her out, and she went a bit crazy and started tackling them.
You can say whatever you want about me, I'm not really bothered. But when it starts to upset people I care about or I hear about it from my mum, then that's a problem.
I run four times a week. And I don't count miles - I don't do that. I don't care about that. I care about how I feel, and I run according to how I feel.
I don't care what you play, where you're from, who you produce. It depends on what you're doing when you're with me. That's what counts. I don't pre-judge anything or anybody.
'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.
I don't talk about my past; people ask me about it. I've done things I'm ashamed of, but one thing I can honestly say is that things I've done that I regret, I've never done twice. I work really hard at that.
In the beginning, everybody that gets to work with me, thinks I'm nice. But three weeks later, they hear a bell ringing. Then they realise I meant everything I said during that first week. It's not my fault people are not taking me serious from the f...
I prefer it when the conductor follows me. It is more difficult to work with a conductor who does not listen - even if I understand that sometimes it makes sense when one person is ruling everything. But for bel canto, I have to have a conductor who ...
But if you want to be a songwriter-based musician, whether you play punk or rock or country or jazz, whatever, you have to work on your songwriting and you have to work on being able to play in front of people, I think. That performance is how you cr...
When one puts up a building one makes an elaborate scaffold to get everything into its proper place. But when one takes the scaffold down, the building must stand by itself with no trace of the means by which it was erected. That is how a musician sh...
I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.
There is something to be said for people who have to work hard, be creative, produce what they have with little - or no - means. Those of us from poor homes have the advantage of thinking for ourselves and of knowing that when times get hard, things ...
I interact with my fans mostly through Twitter, and I like to do livestreams about every two weeks, where I say, 'Ask me anything!' and I just sit there with my computer for 15 minutes, taking a break from work, and answering their questions.
I was working in Lexington when I recognized this actor, Michael Shannon, and I was like, 'What do you do?' He told me to get into a theater company, so I got into a theater company near my hometown. I was a carpenter there. And then I slowly got som...
I've always had the idea that multi-millionaire rock stars should work harder than anyone because they have the ability to do it. Look at an artist like Andy Warhol. He never stopped working, even after he didn't need to work again.
Nobody, but nobody stays a public-address announcer for more than a couple of years. Truly. Public-address announcing is not a career. Public-address announcers only work 81 days a year, so you don't make a living.
