I think of myself as an actor first, not a sex symbol. Do I think I'm sexy? No, that's someone else's judgment, and I honestly don't think you can try to be sexy and really succeed.
There's been a lot of talk of me being a one-man show but that's simply not the case. We win games when I score 40 points and we've won when I score 10.
The Black Mamba collection of watches is me: It is my alter ego, so to speak. As I mentioned before, it is sharp, cutting edge and sleek which are characteristics I try to apply when I'm out there on the basketball court.
It's disgusting, but my father taught me when your mouth gets dry, just suck the sweat out of your own jersey. There's no bravado to any of it; it's just a disgusting little trick.
We all know what flopping is when we see it. The stuff that you see is where guys aren't really getting hit at all and are just flailing around like a fish out of water.
The people who truly know me know what I'm like. There have been people who try to say things that aren't fair, and I check them. And then they don't like me because I checked them.
Doing shows is always a side of skating that I've loved, it's the performing. I get to do that without the pressure, it's always fun between the skaters and the preparation, the show is always so much fun.
I didn't think I was going to play that day. I'd have to thank the training staff for getting me on the field that day. They made a bigger deal than I thought it was.
You hear all these stories about, 'There's one in a million guys that make it to the NBA and stay there.' To see people cheering for me and when they say my name, it's just crazy. It's still crazy to me.
Going from Flip to Kev, obviously you don't want to see someone ever lose their job. For me it's probably a little more difficult, because other than Bill Blair, Flip is all I knew.
I'm from the bottom, I understand what it's like to have and to not have. My perception on giving is to put yourself in those people's shoes and go from there. So that's what I did.
At the end of the day, you're responsible for yourself and your actions and that's all you can control. So rather than be frustrated with what you can't control, try to fix the things you can.
When I first came to California, it was fun and exciting to get any part in any movie and get paid for it. Because of my size and my background, it seemed like I was right for just about anything.
I'm trying to build a brand, so I can sell Keyshawn Johnson products in stores. You know, paint, rugs, carpet, drapery, fabrics, blankets, towels, hardware, plates.
When I'm on television, I'm talking to millions of people, so the conversation is totally different. My words are different. My diction is different because now I'm really talking American English and not homeboy English.
Randy Wittman told me not to shoot 3-pointers. That got me very uncomfortable. There were certain labels tagged on me very early in my career, spots on the floor where I felt uncomfortable.
I just try to keep the same people I've had around me from Day One. Keep it a real small circle because if you do that, not too much is going to go bad for you.
I feel like in order for our team to have the upper hand, I have to play extremely well, and I have to bring the rest of the team with me. That's how I feel approaching every game.
But I think anybody who believes I could force coach Sloan to resign is crazy. He's stronger than that and personally if I said that to him, he'd probably go tell me to go do something.
For me to be here tonight, everything had to be perfect. I had to get drafted by Utah, had to play with a point guard like John Stockton, and had to be coached by Jerry Sloan and Frank Layden.
I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
