I always want to make Strokes records and play Strokes shows.
It is nice to make a record and people like it, and it's encouraging.
Singing is definitely not my forte. I'll put that out there on the record.
I don't know how many records I'm selling.
I constantly tour, even when I don't have a record out.
Well, I'm a tape-recording nut. I like to play my tapes.
I want to sell out arenas and sell millions of records.
I wouldn't have a No. 1 record or song if I wasn't a hardworking person.
I did play every little note on the guitar on that record.
It's a trip to have a Greatest Hits record. It's a trip.
Each of my records has a different focus, a different theme.
There are definite reference points to older Depeche Mode records.
Apollo Records signed me for my gospel ability.
Is the Iranian record of intervention and terror worse than that of the U.S.?
I'm playing to the sort of people who like the same records.
Every business is there to make money, and making a record is business. This tends to be forgotten by many.
You know, the record business is much different than being artist on stage.
The thing that's cool about the recording booth is that it's so perfunctory, so cut-to-the-chase.
I'm a social writer in the sense that I want to record, but not in the sense of trying to change people's minds.
The Audio Home Recording Act directly says that noncommercial copying by consumers is lawful.
My history is really playing live - not writing or recording.
