We've forgotten to respect clothes and consider who made them and where the material came from. We've been encouraged to buy things and, if we don't like them, bin them. When I grew up, we'd repair things or alter them.
The first science fiction show on television was 'Tales Of Tomorrow' using scripts from the radio show 'X-1' which used stories from 'Galaxy Magazine' as its source material.
Realize that a Muslim will know that his wife was seen naked in this machine. You know what would be the reaction?... Terrible. I believe there's technology out there that can identify bomb-type materials without necessarily, overly invading our priv...
For a lot of people, one of the reasons they don't like to work for founders of startups is that they can be sensitive and protective around what they've built. You have an emotional attachment to the early marketing and technology materials, and you...
I'm very lucky that I started out as a reader of the comic book and a viewer of the show. And I try to remain that, and make 'The Walking Dead' that I love watching. Luckily, I have the source material that I love, and I want to serve that as well.
It's not just the 'Grammys' that I've pulled out of. I also pulled out of the English awards as well. The reason that I wanted to pull out was because I believe very much that the music industry as a whole is mainly concerned with material success.
I'm involved with a baroque opera company here in Italy. I write some of their booklet material, comments on operas. I also write for some baroque opera festivals because this music is my real passion.
With 'Light,' I collaborated with a lot of different producers and musicians I respected, and we all wrote and worked on material which I then took to an old-school producer, David Kahne, and we put it all together. The lyrics came first - they were ...
There is a sensuality about fabric. I think all materials should be inviting when they touch the skin. When I watch children stroking their mother's clothes, I feel that I have succeeded.
There is some reason, obviously, that you are drawn to your material, but the way in which you explore it might come to be quite different from what you would expect.
I would never want to do something just for the sake of being independent or for the sake of doing big films. I'm always surprised by the material I'm attracted to. And that's how I like it. I like to be surprised.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
I don't understand this irony - valuable things like cars, gold, diamond are made up of hard materials but most valuable things like money, contracts and books are made up of soft paper.
The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.
The prime communities of the Southwest are survival communities. Their sustenance is governed by rainfall and wind direction. You can study little enclaves of plant materials, how they huddle together for protection. Some are nurse crops.
If you do a serious presidential bio, you want to supply the reader with maximum material because otherwise you're offending the reader. A president for many people is a serious thing and they want to know everything.
In a certain sense the past is far more real, or at any rate more stable, more resilient than the present. The present slips and vanishes like sand between the fingers, acquiring material weight, only in its recollection.
One of the hardest things I've had to deal with in my career is keeping my material topical even though I only release albums every three or four years.
'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.
In Los Angeles, parenting is a competitive sport. From Beverly Hills baby boutiques to kids' yoga classes, L.A. fuses high style, industrial-strength materialism, and parental outsourcing into our own unique version of child-rearing.
I never appreciated 'positive heroes' in literature. They are almost always cliches, copies of copies, until the model is exhausted. I prefer perplexity, doubt, uncertainty, not just because it provides a more 'productive' literary raw material, but ...
