I do like directing other people's material.
For in music there is no material to be deducted.
I never defend my material. Comedy is subjective.
We need leadership that can elevate religion and morality to their position of paramount importance and thus eliminate growing selfishness, immorality and materialism.
I am the original 'Material Girl.'
When I want to work on my material, I go to Benihana or the barbershop.
A related question is where in time to begin. Should you begin far back in a character's past and move forward, or should you begin in the present and make use of flashbacks only where necessary? ... If the material with which you want to open the st...
Knowing is not simply a material act, since the object that is known always conceals something beyond the empirical datum. All our knowledge, even the most simple, is always a minor miracle, since it can never be fully explained by the material instr...
It is not at all coincidental that Darwinian psychology has the same difficulty explaining the unity and integration of human reasoning as Darwinian biology has explaining the unity and integration of irreducibly complex functions. Practical and theo...
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you inten...
And so it is with our own past. It is a labour in vain to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which...
We regard promissory materialism as superstition without a rational foundation. The more we discover about the brain, the more clearly do we distinguish between the brain events and the mental phenomena, and the more wonderful do both the brain event...
You begin with the possibilities of the material.
Make the workmanship surpass the materials.
Any good piece of material like Shakespeare ought to be open to reinterpretation.
It doesn't matter so much where the material comes from, as long as it's good.
I could see us doing solo material in the future.
When you get close to the raw materials and taste them at the moment they let go of the soil, you learn to respect them.
I'm always inspired when there's a robustness to the material in front of me.
I'm currently trying to direct my own material.
A special validates you as a stand-up by documenting your material.
