I'm the fussiest eater on earth; my husband despairs. I like chicken and pasta, and can't resist milk chocolate. I figure if you're going to do something naughty, make it really enjoyable.
'Dr Who' is an extraordinary association that I have because I didn't realise until I was in the show quite how worldwide it is and how popular and how dear it is to so many people's hearts.
I always sleep on my own. I can't sleep with somebody else. Always separate bedrooms, bathrooms and closets. I'm very individual and I want my own space.
My works really begin in a very simple way. Sometimes it's an image, and sometimes it's words I might write, like a fragment of a poem.
I grew up being really insecure and dumped on, over-feeling certain things in a negative way. So I thought I had something to prove.
I don't feel so sad when somebody dies, Julio, because they fly away to explore the stars and planets. When it's our turn we join them in exploring the universe.
I'm an artist and an engineer, which is, increasingly, a more common kind of hybrid. But I still fall into this weird crack where people don't seem to understand me.
I always figure I have this tree and there's always some green fruit that's not ready to pick or blossoms that are ready to flower; there are always some ready to drop off too.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see reasons for the relationships and why what happens happens.
I really don't understand the idea of a celebrity stylist. Is it a real job? I know there's unemployment, but frankly the railways need to be fixed, too.
I'm one of those pianists who tends to ignore every existing recording and lots of traditions about playing pieces when I start.
George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that.
We can go on talking about racism and who treated whom badly, but what are you going to do about it? Are you going to wallow in that or are you going to create your own agenda?
Growing up in Hollywood, like I did, I have a passion and a love for the movies, so I go to the cinema all the time.
If you look at landscape in historical terms, you realize that most of the time we have been on Earth as a species, what has fallen on our retina is landscape, not images of buildings and cars and street lights.
Just going along with this, what I did, or what I do is I imagine not being myself seeing it, but imagine somebody else who's seeing it for the first time.
And having suffered for part of the war when I was a child. I was too young to really understand what was going on but one of my favorite pieces of animation now is that Goodbye Blue Sky in The Wall because that deals directly with that period in tim...
And um, when I came back to England I put a very complex soundtrack on it, featuring everyone from Jimi Hendrix, right through to Neil Diamond, you know, everybody that was kind of popular who was kind of popular at that time.
It's taken me a long time to become the person I am, for all the ugliness to fall away. The rotten flesh is gone, and the seed is there. I can touch that now.
I don't use names or captions for my many portraits of politicians and authors for newspapers. The drawing has to be self-explanatory, so I spend a lot of time sketching to find an idea and an angle that is clear.
