Finding a programmer to work with if you don't already know one will be a challenge. Merely judging if a programmer is exceptional vs. competent will be very hard if you are not one yourself. When you do find someone, work together informally for a w...
At Pixar, 'Wall-E' was our ninth film, and they've all been successes - more than that, they've all really touched people. Everybody wonders, 'How do you do it?' Well, how do you not do it? You just work hard.
I did undergo hypnotherapy, and it didn't work! The guy couldn't put me under. I was very disappointed. I was very keen to be suggested, to have somebody tell me to run naked or cluck like a chicken or whatever, but it didn't work for me, I'm afraid.
I'm working as hard as I can. Yesterday, I had five different debates. I don't get a half an hour a day to talk to my wife. I don't know how much harder I can work.
I would rather have one article a day of this sort; and these ten or twenty lines might readily represent a whole day's hard work in the way of concentrated, intense thinking and revision, polish of style, weighing of words.
It's thought of as an eccentric thing for an actor to really try to maintain quality control through the whole career. Most people think, 'You just work. You just keep working.' And in some ways I wish I could be a guy who's just a workhorse.
In the past I have declined to comment on my own work: because, it seems to me, a poem is what it is; because a poem is itself a definition, and to try to redefine it is to be apt to falsify it; and because the author is the person least able to cons...
For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.
In terms of productivity - that is, how much a worker produces in an hour - there's little difference between the U.S., France, and Germany. But since more people work in America, and since they work so many more hours, Americans create more wealth.
I greatly enjoyed working as a freelance journalist, because it gets you out of the house, and it gets you talking to people, but it wasn't satisfying all of my cravings, and I knew that I needed to work with the other side of my brain - the darker, ...
When not working, I use a lot of treatments; from ancient casero - honey, avocado, stuff like that - other times, I buy ones you leave on for a few minutes. I don't blow dry my hair ever unless for work; I'd rather go for the natural look.
These were the moments when I was disappointed and frustrated, when I got so low because it seemed all my hard work had been wasted. But the moments passed, and the motivation to go back to rehab was there again.
My work at MIT had focused on what we could build in space once we had inexpensive space transportation and industrial facilities in orbit. And this led to various sorts of work in space development.
In my work, I just want to tell a story and help people go on a journey. I'm glad any fans that I do have, and I'm usually not aware of it until I get out there or read a message board. I want to thank everyone who follows my work.
At first I probably seem very abrupt, but I like efficiency. There's work and there's play, and I always think: 'Let's get the work over with so we can thoroughly enjoy the play.'
I think most artists find it difficult to part with their work but it's the parting that keeps us alive and keeps us working. In the case of the chariot, although it's been sold I actually still have it, just in another form.
Our nation's military and law enforcement personal work hard to protect us. We must thank them for their continued vigilance. Without their sacrifice we would less capable of protecting our nation.
My views about the safety of Jews in the world have not been changed by the work on the Dreyfus affair or, for that matter, by the work I did on Franz Kafka for the book on him I published a year before the Dreyfus book appeared.
There really isn't a dream role, but there's a dream situation where I could work with a director that I idolize. So, the idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really ...
If you really believe in what you're doing, work hard, take nothing personally and if something blocks one route, find another. Never give up.
I do try to do high-impact work, and I try to think of ideas people haven't thought about that have broad implications, but I don't restrict myself to that. I try to work on things that I find interesting.
