Memory Lane always seems to be under reconstruction.
There is always the danger that we may just do the work for the sake of the work. This is where the respect and the love and the devotion come in - that we do it to God, to Christ, and that's why we try to do it as beautifully as possible.
Well mostly in song writing my experience is that there isn't so much inspiration as hard work. You sit there for hours, days and weeks with a guitar and piano until something good comes.
Ninety-five percent of the work in the attorney general's office is civil litigation and regulatory work, and I think I certainly have a lot more experience in that than most of the folks who have served in the office.
It has been my experience that work on the screen clarifies stage portrayals and vice versa. You learn to make your face express more in making movies, and in working for the theater you have a sense of greater freedom.
I think people can learn from my experience - you know, any young people who are under pressure, whether you work on Wall Street or you work in a factory in Alabama, and young journalists.
When I was young, I was just about hard work. But as I got older, I did experience anxiety, doubt, judgment, and it's so easy to lose yourself for a second.
I had a bad experience doing public speaking at school. I had to talk about a pen for five minutes and it was really hard work. I couldn't wait to get off the stage.
I would be an actress for the rest of my life just because it's really relaxing. Writing is hard work, and stand-up is so stressful before you get on stage, but acting is a complete ensemble experience.
I spent my 20s working in patient care at a large university hospital, an experience that has informed all my work and has given me a lot of human observation to draw on.
Personally, I find looking at all of the supporting materials and bring it all back to me - the people I worked with, the experience of working on a project - makes it come alive again. So, I try to put those experiences into my commentary for the vi...
This initial experience has not lived up to our expectations... and it is not acceptable. While these problems will require a lot of hard work, the bottom-line conclusion is this HealthCare.gov site is fixable.
But that we didn't have the level of experience in terms of working in the industry so you weren't sure and you needed to see it and this is an industry that the more you work the better you get and that the more opportunities you have the better you...
I know I have experience, having worked with the likes of legendary composers like Ilaiyaraaja. And, I've been long enough with my dear friend A. R. Rahman, and we've collaborated on several musical works. All this gives me confidence.
Even though people spend more of their waking hours at work than anywhere else, people underestimate how work influences their overall wellbeing and daily experience.
To me, there are two types of celebrity: there's good celebrity - people that are attracted to the food and working and trying to create something great - and then there's bad celebrity - those who are working on being a celebrity.
Our deep respect for the land and its harvest is the legacy of generations of farmers who put food on our tables, preserved our landscape, and inspired us with a powerful work ethic.
You can do good work simply staying up all night and eating nothing but junk food, but probably not in the long term.
I pile on the weight when I work. All that location catering's not good for the love handles. I lose a bit when I'm not working, but I love my food and the occasional snifter.
I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
Maybe a part of me recognized how right the improvising spirit of jazz is. Not the sounds, but the freedom to work with musicians who work that way. It felt very natural to me, but I think there's a way to do it without it being a jazz record.
