There's nobody who loves being around actors working more than David Mamet, especially actors bringing his tremendous dialogue to life. I've never seen a movie director who was happier to be directing a movie than Dave.
Tiny slices, no frosting, forty-five minutes on the StairMaster: These are the conditions, variations on a theme of vigilance and self-restraint that I've watched women dance to all my life, that I've danced to myself instinctively and still have to ...
'Chels-emojis' are in the works. I use emojis heavily in life, and I think a lot of people do. There are a number that are frustratingly absent - you know how there's kind of a generic white man and a generic white woman? I just want to put a generic...
Being an MP is not a desperately hard life, like going down the pit or working in the steelworks - with which I am all too familiar, having been brought up in the city of Sheffield; and it certainly isn't badly paid compared with any of my constituen...
My world view is that it can all go to hell in an instant, and you have to be ready for it. That's pretty much the central theme running through my work. It's about people's awareness of how uncertain life can be and their trying to guard against tha...
I'm a King. Regardless of what I've been through and what I've done, I present myself as a King. And I get that respect from people, from everybody I deal with. I worked my whole life to establish that respect and make sure I get that respect.
I can't escape being born in Pike County, Kentucky, grandson of a miner, Luther Tibbs, and his wife, Earlene, and traveling as a child up and down Route 23 between Kentucky and Columbus, Ohio, where I was raised, experiencing life via working-class p...
One of the reasons I admire David Lindsay-Abaire's work is that he, like the Greeks I've spent so much of my professional life contemplating, is not afraid of taking on the big stuff - huge, human, moral issues - what do we owe to those we love?
I always have a very complex personal life as far as romance goes. Sometimes I have a little too much time to get into too much trouble... and drama. It's either I'm working, or I have nothing to do but focus on my personal life. It's a little hectic...
I find that music makes people just sit and listen, firstly. Then, they seem to interpret their own emotions with the music and it makes them ponder their own life a lot. And then they start to question: Am I happy in my work? Am I happy in my relati...
If you want to see that human story unfold, if you want to understand that only the unexpected life is worth a damn, spend some time with 46 years of Lou Reed's work: music that leaped and then looked. Safety is for the godless and the faithless.
I've taken a lot of time to build up the name Flavor Flav, but this could come tumbling down in 30 seconds. If you want to keep what you worked for hard all your life, then you got to do the right thing in your life.
It is just that all my life I have been so involved in my work that I guess one could say in general that, whenever I had to balance my private life and my profession, my profession always won out.
I've worked for a long time, but I got to the point where I felt like, I am out here so far, how do I get back? I want to have a real life, a personal life. I didn't want a personal life I just visited.
Unfortunately, I'm more experienced than I care to admit on long-distance relationships. Just because that is my life. I travel because I love to. As a result, I have to sort of make it work when a relationship kind of comes into view.
I do feel like I have always, in my life, been inclined to be on the outside, walk a different path or something. Because of that, and increasingly over the years, my sense of distance from mainstream society or from the way culture works, I have a d...
Oh, my father's had a huge, immense impact on my career. I grew up on movie sets that he was working on, and it just become a part or was a part, was the only part of my life because I spent my whole childhood traveling and being on film sets.
Office life is very, very strange. It's like no other way of living. You have an intimacy with people who you work with in the office, yet if you meet them on the streets, you both look the other way because you're embarrassed.
I live a perfectly happy and comfortable life in Blair's Britain, but I can't work up much affection for the culture we've created for ourselves: it's too cynical, too knowing, too ironic, too empty of real value and meaning.
After 'The Real Thing,' I thought about giving up acting because it's difficult to have a rich life outside your work when you're an actress, a private life that can survive being picked up and put down. That's what I thought, anyway.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
