Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.
In fact, I think I have had a ghost in my house. Although not active lately, unexplainable things would happen and the kitties were particularly sensitive - especially, Marlon Brando... the cat not the man.
I know this'll sound obnoxious, but acting was very much an accident for me. I didn't have, like, posters of Marlon Brando in my bedroom when I was growing up.
I've tried like hell to make bad movies good, and I can't. Maybe Marlon Brando has been able to do that at times. But even he has a hard time making 'The Appaloosa' a good movie.
I have grown up watching Marlon Brando, Al Pacino, Dev Anand, Amitabh Bachchan and the likes. These are actors who have changed with time. They have no shelf-life. They have immortalised themselves because they have evolved with time.
As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.
When I think about my great conversations with Marlon Brando on the set of 'Morituri,' I think there's a story there, just as I do with my experience working with James Cameron on 'Titanic.' And then there are all my years on 'Y&R' and all that has h...
To this day, people are still talking about the Coral Casino's parties of the '30s, '40s, '50s - complete with antidotes of Errol Flynn's swan dives, Marlon Brando's secret cigar smoking spots, and Ester Williams' Aquacades.
When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.
[on why he considers Marlon Brando and Jean-Louis Trintignant to be his favorite actors] They don't externalize or project everything. They keep a mystery within themselves, and that I think is the sign of a truly great actor, to be able to maintain ...
Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage...
You know one scene I always think about is in 'The Godfather', when Marlon Brando's in the hospital. Al Pacino arrives there and enlists the help of the baker to protect his father. The two of them stand outside and the baker fiddles with a cigarette...
I used to go over to Gene Kelly's house and play volleyball, and Paul Newman and Marlon Brando were always there. You kind of took it for granted because I was 20, 21, 22, and they were a bit older - well, Gene certainly was. But it was just part of ...
I worked with Marlon Wayans on the show 'They Wayans Brothers,' and we hit it off. One thing about Marlon, when he casts a movie or a TV show, he expects you to bring it. You've got to be ready to improv, because Marlon will say anything, and you've ...
Marlon: [Emotional almost to the point of tears] The point is, I would gladly step in front of traffic for you Truman. And the last thing I would ever do to you... Christof: [Feeding Marlon his lines] ... is lie to you. Marlon: ...is lie to you.
Isaac Davis: Why is life worth living? It's a very good question. Um... Well, There are certain things I guess that make it worthwhile. uh... Like what... okay... um... For me, uh... ooh... I would say... what, Groucho Marx, to name one thing... uh.....
Marlon: I mean, think about it, Truman. If everybody is in on it, I'd have to be in on it, too. [pause] Marlon: I'm not in on it, Truman, because... there is no 'it'.
Marlon: Look at that sunset, Truman. It's perfect. Truman: Yeah. Marlon: That's the big guy. Quite a paint brush he's got.
[Marlon suddenly discovers that Truman has escaped through a hole in his basement] Christof: Don't look in the camera, say something! Keep it going, keep it going! Marlon: [to the lawn camera] He's gone! Christof: CUT TRANSMISSION!
Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk.
Marlon: Where the hell's Fiji? Near Florida? Truman: [pointing to golf ball] See here? Marlon: Yeah. Truman: This is us... [guides finger halfway around ball] Truman: and all the way around here... FIJI. You can't get any further away before you star...
