I find painting a much slower process than comedy, where you can go a mile a minute verbally and hope to God that some of the people out there understand you. I don't paint every day. I'm not that motivated.
I learned that the problems that we have are not solved by blaming somebody else, and that our hope is not in who governs us as a nation. It's not in Mitt Romney or Barack Obama or Ron Paul. Our hope is in the power of God and his gospel working in t...
I took opera lessons. I can't read music to save my life, but I would just copy and get away with it. I think that they thought I could read music, but I can't. I would just listen.
Dude, I love playing drums, and I love being on stage, and I love recording. It's my life... it's been my life, all my life, and I don't think it could ever become boring for me.
I wanted to feel like an artist for once in my life. I wanted to use other producers for respect, to let them know that I listen to other people's music and that I'm just not out here on my own page.
That's one thing I don't think people consider nowadays. They want to believe in the importance of marriage, boil it down to just a signature on a legal document. But that's exactly what it is. If not, why not just get married without one?
What I do miss that I don't get anymore? You're going to think I'm crazy, but you want the truth, so here it is. The lights! I miss the spotlights. I don't mean it figuratively. I mean it literally. I love the feeling of lights.
I remember growing up always loving the guitar. I used to love to watch the people play on the Country Western shows on TV. My folks told me that when I was just a toddler, I used to pretend I was playing a guitar on a toothpick.
Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.
When I was a kid, I went through a lot of musical phases, and one was when I'd learn everything that The Beatles ever recorded. After I started drums, I fell in love with their music so much that I just wanted to learn everything.
I would love to get a Moonman! I'd put it next to my other awards. I don't have a cabinet right now; they're just kind of all around my flat, one next to the TV, one in the bedroom. So, I'd have to build a cabinet.
I like kind of varied songs, not just the same song all the time. And I thought things like 'Too Sentimental' is a different thing for us, but it works and we love the way they all came out. There's definitely varied songs on there.
I think 'All Out of Love' is my favorite song because it's been the most successful. It's been in about 30 movies, it's been a number one record, and it keeps getting played on the radio, it's always somewhere.
The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.
'Shotgun's one of the first songs I ever wrote. It's about a couple I met at Waffle House, an all night diner I used to hang at before I could go to bars.
I had sort of exhausted all the avenues playing in Detroit. So again, through the stewardship of my brother, I ended up in California and went to the Musicians Institute in L.A. I wanted to get better as a player.
Its very sort of spontaneous and organic, not a preconceived sort of jamming. Now we record everything, cause sometimes you'll forget, you know, 'what was that thing again?' So we record everything.
We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians.
There's something about the rawness of the live thing, there's no rhythm guitars behind the solo, nothing other than what you hear the people playing at that moment. It's exciting, it's about the performance.
I pay such close attention of the record making process that most people would assume are very little and wouldn't be that big of a deal; the packaging, the title, and the harmonies, I think, are arguably as important as the lead vocals.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
