I listen to music two ways: As a person, you have an instinctive, personal, emotional response. But as a music supervisor, you have a secondary response, which is, 'Will this sit well under dialogue?' 'Can people die to this?' 'Can people kiss to thi...
I wrote 'Wish U Were Here' for Cody Simpson, and he invited me to perform with him on tour and be in his music video. He was shy at first. I think it's the surfer boy in him that makes him so mellow.
My song 'Play It Again' is a perfect example of my music because the verses go so hard, and they're so urban; and then this pop hook comes out of nowhere and socks you in the face and makes you want to dance.
Be honest with yourself and the way you act when you hear music. That way, when people watch, they'll see something from your heart and soul, and as a result will communicate your feeling and thought much better.
I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
First, I'd become an avid reader of blogs, especially music blogs, and they seemed to be where the critical-thinking action was at, to have the kind of energy that I associate with rock writing of the 1970s or Internet e-mail discussion lists a decad...
If I had to play only for people who liked the music because they heard it on the radio, it wouldn't make me happy. That's why I'm working so hard to have, yes, a profile as an artist, but also a profile as a DJ.
So dance music is now pop music. So now, as a dance producer, what do I have to do? So I'm starting to do alien music, because pop is not pop anymore; we need to go alien to be independent.
I want to make hand-held music, undiminished by the need to make everybody in the world listen at once. The goal is to ride into the sunset, stereo blasting, and all of what's got you worried will disappear in the rear view mirror!
I work very closely with my publisher and just give them tons and tons of music, and then they link that with different songwriters and stuff. I'm basically a workaholic. So, I figured I might as well just start working outside.
I'm not a big equipment guy; I think that people are a little bit shocked by that. I really don't care about gear in general. I care about people and their intentions to make music - it doesn't matter what equipment you have.
I said to myself a long time ago that I didn't want to be that hanging-on-for-too-long, aging-rock-musician guy, and that's why I sort of got away from music.
I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.
I just want everybody to know my music and get to know my squad, Remy Boyz; just to show people New Jersey. New Jersey got talent, too. I mean, everybody sleeps on us, and they put us as the underdog.
I'm not a fan of anybody music who I feel like a sucka. I don't listen to you. They play you in the club, you can have the #1 jam, but if I know your character, how can I listen to your music?
I discovered the same thing Gram Parsons did, that soul music and country music are practically identical. Based off of the same chord structures, and the songs are of heartache and loss. The main connection is they both came up in church.
I think that technology has both introduced new sounds but also allowed an increasingly painterly approach to recording music as you can now paint over what you've done and more and more refine an existing performance.
What I am looking for... is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what St. John of the Cross, I think it was, described with the term 'mute music'.
When we were making vinyl records we had a lot of time limitations for each record so songs were left off for a number of reasons. Now, with CDs, much more music can be included.
I hated science in high school. Technology? Engineering? Math? Why would I ever need this? Little did I realize that music was also about science, technology, engineering and mathematics, all rolled into one.
I think that hip-hop has done what it was supposed to have done, which is it defied all the laws of what is statistically a music genre and what statistically is not a music genre. Because it wasn't supposed to be here.
