Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.
In the Woodstock movie, you see Justin, my son, who is now a filmmaker, being carried off by my wife at the time to the helicopter. He's just this little bundle of joy in her arms. And it's 1969.
And they just saw me on that and - from the time I was 11 until I was 12, I guess. And then when I had just turned 13, they asked me if I wanted to tour with Johnny Cash back East.
Although it's painful at the time, most of the things that people have said about us negatively - some of them are true and you can work on them, and the ones that you don't agree with, you don't work on.
I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.
We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.
I use Facebook quite a lot to keep up with my friends, although I had to delete 'Words With Friends' from my phone because it was wasting too much of my time.
The first time I was homeless was when I went to Atlanta. I was in a homeless shelter, then when I got a job I used to miss the curfew for the shelter. So I ended up sleeping outside in the streets.
And so, little by little, I gradually divested myself of pretty nearly all of the guest conducting I used to do, because I was at the same time working in the places like the Met, where I could work in this sort of depth.
I don't ever work in a way where something is an illustration of an event, but when something is occurring at the same time I see it as very informed by that.
I was born in D.C. on 8th Street. I know what's up. I know what time it is. I used to hang out in Brooklyn and in the Bronx as a teenager. I know what the real world is like.
It's important that I get time to run, to just go for a jog for about 30 minutes. It helps with my voice, but it also kind of gives me a little bit of time to myself - and you get to see a city.
It's time to wake up to the fact that you're just another avatar in someone else's MMO. Worse: From where they stand, all-powerful Big Data analysts that they are, you look an awful lot like a bot.
I didn't grow up during the time that Louis Armstrong or Miles Davis and all those people were playing. So it's not really my responsibility to keep it up, what they were doing.
Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
Shall we ever see the 10 million things of the universe simultaneously in order to be the all? I am convinced that to live is to travel towards the world's end.
I am disabled, so I can't travel, and I have not been to any development meetings, but Gary and the others affiliated with the film keep me updated on everything.
Since the pharmaceuticals don't make any money and they control the doctors. If the doctors don't make any money then all hell breaks loose. In communities like LA and New York they are using a lot of the youth for a test sight.
It was 1975. I had spent the year at the Boston Museum School doing some very bizarre performance works. The last one included going to the North Magnetic Pole and spending all of my money.
Most independent filmmakers in Britain and North America work for commercial crews and then have their own projects when they've got enough money saved up to do so.
I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company.
